书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：蔡氏巍□书画之章
收传印记：易安轩珍藏印

题跋资料:

题跋类别：作者款识；作者：鲁宗贵本幅(左下方石间)宗贵制篆书

主题:

其他主题：山水春景 ；其他主题：山水溪涧、湍泉 ；其他主题：树木竹 ；其他主题：花草梅（白．红．蜡梅） ；次要主题：花草水仙 ；次要主题：花草茶花 ；其他主题：翎毛麻雀 主要主题：翎毛雉（锦鸡．雉类） 

技法:

双钩 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页108 收藏着录： 故宫书画图录，第二册，页227-228 参考书目： 1.谭怡令，〈宋鲁宗贵春韶鸣喜〉，收入谭怡令编，《吕纪花鸟画特展》（台北：国立故宫博物院，1995年初版），页107。 内容简介（中文）： 此幅右下方有篆书款字「宗贵制」，然细审之，显系后加。本幅画春日山涧情景，石壁间激泉如响，巉巖上翠竹流青，梅木茶竞妍，山雀鸣唱，野雉偎嬉，构思造境，描染俱佳，乃岁朝张挂之图画。本幅画石，皴法用笔直泻而不含蓄，且水墨淋漓，显非南宋人画法，而是明人学宋代之浙派风格。树干皴纹，也如同边文进、吕纪一系之用笔，花鸟施朱用粉，更近于吕纪风格，本院另藏有宋人「岁朝图」，构图同出一稿，树石画法更近于明人风格。鲁宗贵，钱塘人，南宋绍定间画院待诏，善画花鸟走兽及窠石。 内容简介（英文）： The signature "Lu Tsung-kuei" is written in seal script in the bottom left of the painting, but it was added at a later date. In a mountain gorge down which a babbling stream flows, sparrows perched on plum branches sing as wild pheasants sport amid the bamboo, camellias, and rocks. The entire work emulates the bounty of spring. The brushwork for the rocks, however, is brutally direct, devoid of any subtlety, and the ink in overly wet. This style of painting is not characteristic of Sung dynasty artists but rather Ming dynasty artists of the Che school. The texture strokes for the tree branches are in the style of Pien Wen-chin and Lu Chi, While the use of color for the birds and flowers is even closer to Lu Chi's techniques. Another painting in this Museum, The Beginning of the New Year attributed to a Sung dynasty artist, shares the same composition, and the handling of the rocks and branches is even closer in style to that of Ming artists. Lu Tsung-kuei served as a Painter-in-Attendance in the Southern Sung court during the Shao-ting era (1228-1233). He excelled in painting birds, flowers, animals, and rocks.