书体:

草书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅绢

释文:

（清缂丝邵弥书诗）谿声听不住。引出翠微间。晴壑云无迹。隣山见数弯。邵弥。（缂印三）。种瓜五色。吴下阿弥。僧弥。

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

主题:

技法:

织 

参考资料:

收藏着录： 缂丝特展图录，页89、107 收藏着录： 国立故宫博物院缂丝，页25 内容简介（中文）： 素地黑色织。草书五言绝句一首：「谿声听不住，引出翠微间；晴壑云无迹，邻山见数湾。邵弥。」织印三：种瓜五色。吴下阿弥。僧弥。　此幅缂织精工，织面均匀整齐，以草书书体为之，笔意奔放，有张旭、怀素草书的风格。 内容简介（英文）： Woven in black silk against a light background are four lines of a five-character truncated verse by Shao Mi also originally calligraphed in cursive script by him. Shao’s signature to the left and his seals were also woven into the tapestry. The weaving of this tapestry is exceptionally fine, and the surface of the threads is very even. Much of the unrestrained and free elements of the brushwork in cursive script calligraphy have been translated into the tapestry here. Shao’s calligraphy falls into the tradition of such “wild” cursive calligraphy of Chang Hsü and Huai-su of the T’ang dynasty. The artisan here was able to render even the finest thinning of the brushwork and the split hairs of the brush that was originally used.