书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

明神宗万历十九年（1591）

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：山水  ；其他主题：山水江河、湖海江河；其他主题：树木  

技法:

写意 皴法披麻皴

参考资料:

收藏着录： 故宫书画录（卷八）第四册，页141 收藏着录： 故宫书画图录，第二十三册，页86-92 参考书目： 1.陈韵如，〈明董其昌重峦叠翠、层峦耸秀、鹿鸣山〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页336-337。 内容简介（中文）： 第五开左幅，此开画幅山体构成与〈富春山居图〉的中段山体十分相近，无论用墨皴笔，乃至于草木树法等都与之相似。董其昌在京师期间（1589-1595）见黄公望〈富春山居图〉，并于万历二十四年（1596）购得。董其昌曾自称于二十多岁开始习画，并以黄公望风格为主要学习对象。因公务往来京师、江南等地，顺途观览、搜访古书画作品，为其书画风格奠定丰厚基础。(董其昌纪游画册 第五开左幅 20110609) 内容简介（英文）： The left painting of the fifth folio (“Layered Hills of Lofty Elegant”) has a mountain form very similar to that in the middle section of “Dwelling in the Fuchun Mountains.” In terms of ink and brush texturing, as well as the method of depicting the vegetation, all are similar to Huang Gongwang’s masterpiece. Dong Qichang was able to see Huang Gongwang’s “Dwelling in the Fuchun Mountains” while in the capital from 1589 to 1595, purchasing it in 1596. Dong Qichang himself once wrote that he had started to paint in his twenties, mainly studying the style of Huang Gongwang. He traveled to the capital and the Jiangnan area for official duties, taking the opportunity to view and search for ancient works of painting and calligraphy that would form a solid foundation for his own style.(20110609)