书体:
色彩:
浅设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:张宗苍;题跋位置:本幅;款识:臣张宗苍恭绘;书体:楷书;全文: 印记:张、宗苍主题:
主要主题:山水 ;次要主题:树木竹 ;其他主题:山水江河、湖海 ;其他主题:山水瀑布 ;其他主题:树木 ;其他主题:建筑亭技法:
写意 皴法披麻皴参考资料:
收藏着录: 石渠宝笈续编(养心殿),第三册,页1247 收藏着录: 故宫书画录(卷八),第四册,页120 收藏着录: 故宫书画图录,第十三册,页73-74 内容简介(中文): 张宗苍,生于康熙二十五(西元一六八六)年,卒于乾隆二十一(西元一七五六)年,江苏吴县人。字默存,一字墨岑,号篁村,晚号瘦竹。乾隆十六年始入都,祇候内廷。善画山水,出黄鼎之门,为王原祁再传弟子。其画法,惯以湿笔淡墨钩出轮廓,层层加深,然后用焦墨枯笔加以皴擦,浓墨湿笔题破。故觉墨气苍莽,景物浑厚。 内容简介(英文): Gazing at the Waterfall from the Bamboo PavilionChang Tsung-ts’angCh’ing dynasty Chang Tsung-ts’ang (1686-1756) was a native of Wu-hsien in Kiangsu. He had two style names, Mo-ts’un and Mo-ts’en, and the sobriquet Huang-ts’un, which in later years he changed to Shou-chu. He first came to the capital in 1751 and was summoned as a court painter. As a landscape painter he was a student of both Huang Ting (1660-post.1730) and Wang Yüan-ch’i (1642-1715). Chang’s method of painting was first to render the outline with a pale ink wash, layer on layer, and then to use the ‘burnt ink’ technique to add texture strokes. These were done with strong strokes of a heavily inked brush. The feeling given is one of great energy and strength.