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色彩:
浅设色装裱形式:
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本幅纸诗塘纸下方纸释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:董邦达;题跋位置:本幅;款识:臣董邦达敬绘;书体:楷书;全文: 印记:臣邦达印、染翰主题:
主要主题:山水冬景(雪景) 主要主题:树木寒林.枯树枯树;其他主题:树木 ;其他主题:树木竹 ;其他主题:船篷舟 ;其他主题:建筑篱笆、围墙围墙;其他主题:建筑亭 ;其他主题:建筑塔 ;其他主题:建筑房舍 ;其他主题:山水江河、湖海江河;其他主题:花草芦苇 ;其他主题:树木杨柳 ;其他主题:山水名胜断桥残雪;其他主题:山水奇石石磴技法:
工笔 写意 皴法 苔点参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2317 收藏着录: 故宫书画录(卷八),第四册,页107 收藏着录: 故宫书画图录,第十一册,页423-424 内容简介(中文): 董邦达(西元一六九九至一七六九年),字孚存,号东山,浙江富阳人。雍正癸丑(一七三三)进士,仕至礼部尚书。画山水从董其昌入手,得元人笔墨精神。 白隄第一桥曰断桥,界于前后两湖之间。春雪未消,悉琼林瑶树,晶莹朗澈。 内容简介(英文): Tung Pang-ta style name Fu-ts'un, sobriquet Tung-shan was a native of Fu-yang, Chekiang Province. He received the chin-shih degree in 1733 and afterward entered the court of the Ch'ien-lung emperor. He assisted in the compilation of the imperial catalogue Shih-ch'u pao-chi and later served as minister of the Board of Rites. He started his landscape paintings with Tung Ch'i-ch'ang of the Ming dynasty as his model. He captured the brushwork and elegance of Yüan painting giving his style a clarity and beauty. The first bridge along the Pai Bank (so-called because Pai Chü-i built it) separates the front and the back lakes and is therefore named Tuan Chiao (literally "separation bridge"). When the last remnants of winter snow still cover the earth, the trees are coated with a thin layer of crystal and appear as if they are glistening jade trees.