书体:
色彩:
水墨装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：张若霭；题跋位置：本幅；款识：品题此格合兄梅。净水明沙白石隈。绝似洛神微试步。碧天无际月华来。 雅蒜天葱总未然。雪如皎洁玉如坚。若教开向红尘里。逐紫随绯岂称仙。 少举黄兄白鬪春。粉香相较正同新。吴中灌植休唐突。一任污泥不染身。 微阳初灼破端倪。画入停云君子之。风雨一窗寒入骨。夜深人诵楚骚时。臣张若霭敬和。；书体：行书；全文： 印记：臣霭、挥毫主题:
主要主题：花草水仙 ；次要主题：山水溪涧、湍泉 ；其他主题：山水奇石技法:
工笔 写意 皴法 皴法折带皴苔点参考资料:
收藏着录： 石渠宝笈续编（养心殿），第三册，页1224 收藏着录： 故宫书画录（卷八），第四册，页106 收藏着录： 故宫书画图录，第十一册，页379-380 内容简介（中文）： 张若霭（西元一七一三至一七四六年），字晴岚，安徽桐城人。相国廷玉子，雍正十一年（西元一七三三年）传胪，官礼部尚书，袭伯爵，諡文僖，以书画供奉内廷。善画山水、花鸟，得王谷祥、周之冕遗意。 水墨画近坡奇石，水仙丛集；远处湍泉漫漫。花叶先以墨线钩画轮廓，再纯以墨色分染，浓淡分明，工谨倍至。 内容简介（英文）： NarcissusChang Jo-ai (1713-1746)Ch’ing Dynasty Chang Jo-ai (style name Ch’ing-lan) was from T’ung-ch’eng, Anhui. He inherited the title of Count from his father, who was the Prime Minister, and later was given the name Wen-hsi, posthumously. A skilled calligrapher and painter, Chang was noted particularly for his landscapes, birds and flowers. He formed his own painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568) and Chou Chih-mien (ca.1580-1610). This ink painting depicts strange rocks and a thick clump of narcissus on the foreground slope. In the distance, a rapidly flowing stream is brimming forth. Flowers and leaves have been outlined, and the latter filled-in with darker or lighter washes so as to distinguish the front and reverse sides of the leaves. The artist rendered this scene in a very careful and meticulous hand.
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