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鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:张若霭;题跋位置:本幅;款识:臣张若霭恭画;书体:楷书;全文: 印记:臣、霭主题:
主要主题:山水冬景(雪景) 主要主题:经史‧故事 道人赤脚囓雪;其他主题:树木竹 ;其他主题:树木寒林.枯树枯树;其他主题:花草梅(白.红.蜡梅) ;其他主题:佛道人物道(道士、道姑)囓雪道人;其他主题:树木 ;其他主题:山水江河、湖海江河技法:
写意 人物衣纹描法(匀称线条) 苔点 皴法参考资料:
收藏着录: 石渠宝笈三编(延春阁),第六册,页2736 收藏着录: 故宫书画录(卷五),第三册,页565 收藏着录: 故宫书画图录,第十一册,页373-374 参考书目: 1.林莉娜,〈清张若霭画雪景人物事蹟〉,收入林莉娜、张华芝编,《冬景山水画特展图录》(台北:国立故宫博物院,1989年元月初版),页68。 内容简介(中文): 张若霭(西元一七一三至一七四六年),安徽桐城人。相国廷玉之子,雍正间官礼部尚书,袭伯爵,并以书、画供奉内廷。善山水、花鸟,得王谷祥、周之冕遗意。 相传古有铁脚道人,性喜食梅花,和雪而吞,人问其故,则答以:「吾欲寒香沁入肺腑。」本幅上方题诗亦标有「赤脚嚼雪」四字,顾知所绘即铁脚道人故实。通幅之笔描纤细,布局呈之字形向上伸展,饶具高旷之致,惟远山与天际衔接处,累见贴补痕,或因题识时误书,乃有此因应之道。 内容简介(英文): Solitude in the Snow Chang Jo-ai (1713-1746) Ch’ing Dynasty Chang Jo-ai was a native of T’ung-ch’eng, Anhui. He inherited the title of Count from his father, who was the Prime Minister. A skilled calligrapher and painter, Chang was especially noted for his landscapes, birds and flowers. He formed his painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568) and Chou Chih-mien (ca. 1580-1610). According to legend, there was an “iron-footed” or steadfast Taoist sage who thrived on plum blossoms and snow. When asked why he partook only of these, he replied that he desired their cold sweetness to permeate his very core. At the top of the painting a four-character colophon proclaims, “Barefoot Munching Snow”, which reveals that the subject of the painting alludes to this legend. Brush techniques used throughout the work are fine and delicate. The composition was arranged in a striking zigzag format which proceeds upwards from the bottom. Originally, there may have been errors made in the colophon, as a new piece was mounted to serve as a replacement.