书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：宁寿宫续入石渠宝笈
鑑藏宝玺：乐寿堂鑑藏宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：苍巖
收传印记：蕉林鑑定

题跋资料:

题跋类别：作者款识；作者：钱选；题跋位置：本幅；款识：吴兴钱选；书体：楷书；全文：

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：甲申新春御题；书体：行书；全文：何须名辨百禽经。高下梅梢梦半醒。各各冰心蕴芳意。可知绘者善形形。甲申新春。御题。印记：乾隆宸翰、几暇临池

主题:

主要主题：花草梅（白．红．蜡梅） ；次要主题：翎毛  ；次要主题：翎毛麻雀 ；次要主题：翎毛八哥（鸲鹆） ；次要主题：翎毛画眉 ；其他主题：树木竹 

技法:

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2736 收藏着录： 故宫书画录（卷八），第四册，页59 收藏着录： 故宫书画图录，第二册，页269-270 参考书目： 1.谭怡令，〈宋钱选雪梅集禽〉，收入谭怡令编，《吕纪花鸟画特展》（台北：国立故宫博物院，1995年初版），页109-110。 内容简介（中文）： 本幅构图不甚完整，可能曾经裁切，但由此仍可想见原构图之丰富和具图案性。另皴染时所形成之一平面感，和树干黑白分明表现复雪状之手法，凡此均为受吕纪影响之殷宏的特色，然此幅之笔墨较其为平板，当为其之仿作，自更非钱选矣！钱选（西元一二三九—一三○一年），浙江湖州人。字舜举，号玉潭、霅谿翁等。南宋进士，入元后不仕，以书画终身。山水师赵今穰、赵伯驹，花鸟师赵昌，人物师李公麟，均不拘于前人法度。 内容简介（英文）： Because the composition of this painting seems incomplete, it is possible that it was trimmed or cut at an earlier time. However, from this portion, it is evident that the complete composition was rich and full of details. However, the texture strokes and ink washes have been applied so that the overall painting appears flat and lifeless. For the tree branches, dark ink washes stand out starkly compared to the white portions indicating snow. These traits all belong to Yin Hung, an artist greatly influenced by Lü Chi. The dull and uninteresting brushwork further prove that this is certainly not by Ch'ien Hsüan.Ch'ien Hsüan (style name Shun-chü ; sobriquets Yü-tuan, Cha-hsi-weng, etc.) was a native of Hu-chou, Chekiang. Achieving the rank of chih-shih at the civil service examinations during the Southern Sung, he left officialdom at the beginning of the Yüan dynasty (1279-1368) and took to painting and calligraphy. He studied Chao Ling-jang and Chao Po-chü for landscape painting, Chao Ch'ang for bird-and-flower painting, and Li Kung-lin for figure painting. He became a master equally skilled as the famous artists of the past.