书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

收传印记：内府图书
收传印记：群玉中祕
收传印记：赵氏子昂
收传印记：赵郡苏氏
收传印记：神
收传印记：品
收传印记：何氏元朗
收传印记：兰渚轩（重一）
收传印记：蔡增誉印
收传印记：龟龙蔡氏图书
收传印记：修篁隖
收传印记：红雨轩
收传印记：酣春楼
收传印记：河渚山房
收传印记：叶隆□士□

题跋资料:

题跋类别：题跋；作者：宋徽宗；题跋位置：本幅；款识：无；书体：楷书；全文：弄萧图。德谦妙笔。印记：（双龙印）

题跋类别：题跋；作者：孙克弘拖尾 ；书体：隶书；全文：戊戌夏同宋初易观于敦复堂。汉阳守孙克弘书。印记：允执父、雪居

题跋类别：题跋；作者：宋旭拖尾 ；书体：楷书；全文：檇李宋旭偶至获观。因识喜。

题跋类别：题跋；作者： 拖尾 ；书体：行书；全文：戊戌九月。长水诸清之。包公剡。冯鑑之。杨仲昌同观于西湖僧舍。是日雪浪讲师至。吴兴吴梦旸偕虎林锺纯臣同观。

主题:

主要主题：人物帝王 主要主题：人物后妃妃主要主题：人物仕女 ；次要主题：人物侍从（侍女、童仆）侍女、童仆；其他主题：走兽猪 ；其他主题：器用家俱（屏风）榻、枕；其他主题：器用乐器箫、响板；其他主题：器用香炉．火盆香炉；其他主题：器用扇羽扇

技法:

人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页30 收藏着录： 故宫书画图录，第十五册，页141-142 内容简介（中文）： 顾德谦，南唐时江宁人，善绘人物，传顾恺之法，南唐后主李煜讚之曰：「古有恺之，今有德谦，二顾相继为画绝矣。」传世画蹟有萧翼赚兰亭、太上老君度关等故事人物画。本幅为绢本设色画。图中一人卧胡床仰吹箫管，一人执檀板依榻坐，一少年立整冠。二妇人相对语；侍女五人一舞四执役，一童奉香炉进。用笔柔细，设色淡雅，表现出悠閒愉悦的情调。拖尾有晚明松江画家孙克弘和宋旭之观款。 内容简介（英文）： Ku Teh-ch'ien, active during the Southern T'ang period, was from Chiang-ning(Nanking). He excelled at painting figures, following the style of the fourth century master Ku K'ai-chih. The last ruler of the southern T'ang, Hou-chu, praised Ku Teh-ch'ien: "In the past there was [Ku] K'ai-chih; now there is [Ku] Teh-ch’ien. The two are masters unparalleled." This work is in colors on silk. The central figure lies on a bed. He is blowing a flute. A seated figure holds a t'an-pan (a percussion instrument made of sandalwood, similar to castanets). A youth stands to one side straightening his cap. Two women are engaged in conversation. There are fie servant girls; one is dancing; the other four are waiting in attendance. A boy enters carrying a censor. The soft, delicate brushwork and the light, refined colors convey a pleasurable, leisurely atmosphere. At the end of the scroll are inscriptions by the late Ming Sung-chiang area artists Sun K'o-hung and Sung Hsü.