书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：作者款识；作者：陈洪绶；题跋位置：本幅；款识：老迟洪绶；书体：行书；全文： 印记：洪绶、章侯

主题:

主要主题：山水奇石 主要主题：树木竹 主要主题：花草萱花 

技法:

白描 双钩 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页483 收藏着录： 故宫书画图录，第九册，页130-104 参考书目： 1.〈明陈洪绶画寿萱图〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页454。 内容简介（中文）： 陈洪绶（西元一五九八至一六五二年），浙江诸暨人。字章侯，号老莲，甲申清人入主中原后，自称悔迟，又称勿迟。人物花鸟草虫无不精妙，皆能自出机杼，表现高古奇骇，意趣盎然之特色，为晚明变形主义画风之大家。　陈洪绶所画工笔双钩之花鸟画，得益于五代徐熙、黄筌和宋徽宗，设色古雅。此幅画萱花竹石，其中花竹多匀称如篆书之笔触；石则以多楞角之线条钩划轮廓，可见老莲常用之技法。 内容简介（英文）： Day-lilies, Bamboo and RockCh’en Hung-shou (1598-1652)Ming dynasty Ch’en Hung-shou was a native of Chu-chi, Chekiang. A “left-over” subject of the Ming, he styled himself Hui-chih (Late for Repentance) following the fall of the dynasty, only to take the sobriquet Wu-ch’ih (Not Late) as well. His figure insect, and bird-and-flower paintings are all excellent, each expressive of Ch’en’s unugual, lyrical view of the world. Ch’en Hung-shou’s fine brush, outline style of bird-and-flower painting was inspired by the traditions of the Five Dynasties painters Hsü Hsi and Huang ch’üan, and the Northern Sung emperor Hui-tsung. The coloring is antique and refined. This painting portrays day-lilies, bamboo and a rock. The brushwork of the bamboo suggests the ancient seal script of calligraphy, and the rock is described with angular outlines -- both characteristic of Ch’en’s style of painting.