书体:
色彩:
水墨装裱形式:
册(折装‧方幅式)创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
作者印记:半千题跋资料:
题跋类别:题跋;作者:饶宇朴对幅辛亥六月。偶客承恩梵刹。栎翁太夫子命题应教。南州后学饶宇朴稿。;书体:行书;全文:十年梦读看山句。展卷幽然悟别峰。凉色乍添萧寺古。不知身入画图中。辛亥六月。偶客承恩梵刹。栎翁太夫子命题应教。南州后学饶宇朴稿。印记:吾庐、饶宇朴印、将文主题:
主要主题:山水 ;其他主题:山水江河、湖海 ;其他主题:树木 ;其他主题:树木竹技法:
写意 皴法 苔点参考资料:
收藏着录: 石渠宝笈三编(御书房),第七册,页3229-3236 收藏着录: 故宫书画录(卷六),第四册,页273-281 收藏着录: 故宫书画图录,第三十册,页272-285 参考书目: 1.〈清龚贤谿山疎树〉,收入国立故宫博物院编辑委员会编,《山水画墨法特展图录》(台北:国立故宫博物院,1987年七月初版),页68。 内容简介(中文): 龚贤(西元一五九九-一六八九年),江苏崑山人,流寓金陵清凉山。字半千,又字野遗,号半亩。性孤僻,与人落落难合。工诗文,行草。自谓所作山水,前无古人,后无来者。用墨浓厚,别开生面。 本幅谿山疏树,为清周亮工集名家山水册之第七开。墨色浑厚,果是其特色。 内容简介(英文): Trees Scattered among Mountains and StreamsKung Hsien (1599-1689)Ch’ing Dynasty Kung Hsien, a native of K’un-shan in Kiangsi, spent most of his life in Chin-ling (modern Nanking). His style names were Pan-ch’ien and Yeh-i and his sobriquet was Pan-mou. Of a solitary disposition, he kept mostly to himself. He was accomplished in poetry, writing, and semi-cursive calligraphy. He himself said that the style of his landscapes had no prototypes and would have no imitators. The rich, dense ink of this painting is a hallmark of Kung Hsien’s style and constitutes a significant departure from previous standards.