书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸对幅纸

释文:

印记资料:

收传印记：静寄轩图书印

题跋资料:

题跋类别：作者款识；作者：陈洪绶；题跋位置：本幅；款识：天寒翠褏薄。日暮倚脩竹。乙酉仲春。画于龙山。洪绶。；书体：行书；全文： 印记：章侯

主题:

主要主题：人物仕女 

技法:

写意 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页88-89 收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2875 收藏着录： 故宫书画图录，第二十三册，页234-237 参考书目： 1.刘芳如，〈陈洪绶仕女〉，收入刘芳如、张华芝主编，《群芳谱 — 女性的形象与才艺》（台北：国立故宫博物院，2003年初版一刷），页54。2.刘芳如，〈明陈洪绶仕女〉，收入国立故宫博物院编辑委员会编，《仕女画之美》（台北：国立故宫博物院，1988年四月初版），页86-87。 内容简介（中文）： 陈洪绶（西元一五九八至一六五二年），浙江诸暨人。字章侯，早年自号莲沙弥，后号老莲。明亡后，又号悔迟、勿迟。人物、花鸟、草虫、山水无不精妙，皆能自出机杼，表现出高古奇骇，意趣盎然之特色。为晚明极具影响力之大画家。　设色画仕女，衣着朴质，着色雅澹，画衣纹用笔苍劲稳健，强调转折起顿，线条由方直而入圆劲。意境入于神化，是老莲精心之作。　本幅选自陈洪绶「杂画」册第六开。 内容简介（英文）： A LadyCh’en Hung-shou (1599-1652)Ming Dynasty (1368-1644) This delicately colored figure of a woman dressed in a simple, unadorned gown is one of Ch’en Hung-shou’s finest works. He has used firm yet graceful lines to define the folds of her robes, emphasizing the starting and stopping and twisting and turning of the brush. Using a “squared” brush he has created angular lines imbued with thick, rounded fullness. This painting is from Ch’en’s album Miscellaneous Paintings. Ch’en Hung-shou was a native of Chu-chi, Chekiang. (His style-name was Chang-hou; in his early years his sobriquet was Lotus Novitiate, and, later, Old Lotus. At the fall of the Ming his sobriquets were Hui-ch’ih and Wu-ch’ih.) Ch’en created distinctive paintings of figures, flowers and birds, grasses and insects, and landscapes that are notable for their unique if not startlingly unusual style, a style that was to influence many later artists.