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色彩:
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本幅绢释文:
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作者印记:仲宾更字息斋题跋资料:
主题:
主要主题:树木松 ;次要主题:树木寒林.枯树枯树;其他主题:树木竹技法:
工笔 苔点参考资料:
收藏着录: 石渠宝笈三编(干清宫),第二册,页516 收藏着录: 故宫书画录(卷五),第三册,页172 收藏着录: 故宫书画图录(四),页1-2 参考书目: 1.本社,〈元李衎双松图〉,《故宫文物月刊》,第24期(1985年3月),封底里。 内容简介(中文): 李衎(西元一二四五—一三二0年),河北蓟县人。字仲宾,号息斋道人。曾出使交趾,深入竹乡,对竹的形色生态作过详细的观察。着有﹝画竹﹞、﹝墨竹﹞两谱。 坡石上双松高耸,尚有几株枯树依依旁立,似是描写岁寒草木都己枝凋,而松树的枝叶仍然茂密苍翠。松叶以细笔中锋画成球状,松榦渍染圆浑,饶有秀雅温润的感觉。在画幅左侧枯树坡石间,有「仲宾更字息斋」的印文。 内容简介(英文): Li K'an served as a scholar in the Yüan court and was enfeoffed Duke of Chi for his services. He was especially well-known for bamboo painting, and wrote treatises on the subject. Li K'an was once sent to Chiao-chih, an area famous for its bamboo. There he made a careful study of all aspects of bamboo which he incorporated into his painting, and recorded in two books on the subject. A finely painted brush was held upright throughout the execution of this painting. resulting in an elegant, full-bodied feeling. The needles of the pine trees are densely clustered. There is no date or signature on the work, but a small six-character seal of the artist may be found between a rock and small tree at the lower left.