书体:

色彩:

水墨

装裱形式:

创作时间:

明武宗正德元年（1506）

文字类型:

质地:

本幅纸

释文:

印记资料:

收传印记：朱卧庵收藏印
收传印记：第一希有
收传印记：休宁朱之赤珍藏图书
收传印记：寒碧主人
收传印记：蓉峰鑑藏
收传印记：子孙亿世家传之宝

题跋资料:

题跋类别：作者款识；作者：王守仁；题跋位置：本幅；款识：安得于嘉林甘泉间。构一草舍以老是乡。无怀葛天之民求之未远。盖学问之道随处即是。惟宜读书以先之。丙寅（西元一五０六年）正月七日为籽馀年先生。守仁学。；书体：行书；全文： 印记：阳明山人签 包首  明王文成公真迹。辛未孟夏老父铭青所赠。忏绮阁主人□□。

主题:

主要主题：山水  ；其他主题：山水江河、湖海 ；其他主题：树木  ；其他主题：树木松 ；其他主题：建筑房舍 

技法:

写意 苔点 

参考资料:

收藏着录： 故宫受赠文物选萃，页73、166-167 内容简介（中文）： 王守仁（1472－1528）字伯安，浙江馀姚人。明代大学者，创立知行合一的「阳明学说」，对后世影响甚深。由于其事功伟大，书画成就却少有人知。本幅绘一河两岸，远岸巨岩在望，中空处有几道小水瀑，近岸则是三树两屋，空寂而无一人。这种宁静的天地，从构图和呈现的意境，很明显的受到元代画家倪瓒的影响。画上款题，也直接的呼应出作者的希望。七行行草书题款，写得自由在自在，书法的风格则是集王羲之字的〈圣教序〉为主，瘦劲而具骨气。张学良先生捐赠于民国88年。(20110204) 内容简介（英文）： Wang Shouren (style name Bo’an) was a native of Yuyao in Zhejiang. A great scholar of the Ming dynasty, he was founder of the philosophical “School of the Mind” (integrating thought and action) and had a profound influence on later generations. Due to Wang’s achievements as a thinker, few people realize that he was also an accomplished painter and calligrapher. This painting shows a stretch of water between two banks. Large rocks appear by the distant shore along with the cataracts of a waterfall. On the foreground shore is an area of three trees and two buildings devoid of any human activity. Both in terms of composition and atmosphere, this sparse and tranquil scene clearly reflects the influence of the landscape style associated with the Yuan painter Ni Zan. The inscription at the top of the work also directly reflects the artist’s aspirations. The semi-cursive script inscription in seven lines is written with freedom and ease, the calligraphic style based mostly on the “Sacred Teachings” compilation of Wang Xizhi characters, revealing both slenderness and spirit.Mr. Chang Hsüeh-liang donated this painting to the National Palace Museum in 1999.(20110204) 内容简介（英文）： 王守仁(1472-1528)字伯安，浙江馀姚人。他是明代的大学者，创立知行合一的「阳明学说」对后世影响甚深。由于王守仁事功伟大，大家反而少知到他书画皆有成就。本幅一河两岸，远岸巨岩在望，中空处有几道小水瀑，近岸则是三树两屋，空寂而无一人。这种宁静的天地，从构图和呈现的意境，很明显的受到元代画家倪瓒的影响。画上款题，也直接的呼应出作者的希望。七行行草书题款，写得自由在自在，书法的风格则是以王羲之的「圣教序」为主，瘦劲而具骨气。本幅为张学良将军捐赠。 内容简介（英文）： Wang Shou-jen (also known as Wang Yang-ming), a native of Chekiang, was the founding philosopher of the School of the Mind. Influential for his great achievements in the Ming dynasty as a thinker, few people realize that he was also accomplished in painting and calligraphy in his own right. This painting, dated to1506, shows two banks separated by a stretch of water. In the foreground are three sparse trees and two empty huts. A waterfall appears falling from the opposing cliff. This sparse and tranquil scene clearly was influenced by the landscape style of the Yuan painter Ni Tsan both in composition and technique. The inscription at the top echoes the free and elegant manner associated with Wang. Based on the “Sacred Teachings” work of calligraphy by Wang Hsi-chih, it has a sense of slenderness and spirit. This work was donated to the National Palace Museum by General Chang Hsueh-liang.