书体:

行书

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

书幅纸画幅纸

释文:

黎明闻钟声。披衣起行。残月一钩。踈星历历在户牖。徐步出山门。万松环帀。白云斜穿。重露滴衣。声若棋点。雨花桥下。琴筑争鸣。里道人游罗浮日记。陈澧书。

印记资料:

作者印记：在此山斋
作者印记：陈兰甫

题跋资料:

主题:

主要主题：花草兰．蕙兰花

技法:

参考资料:

收藏着录： 故宫受赠文物选萃，页84、141 收藏着录： 陈兰甫先生书画特展目录，页22、102。 内容简介（中文）： 陈澧（1810－1882），字兰甫、兰浦，号东塾，书斋曰「东塾」，世人尊称其为东塾先生，广州番禺（今广州）人，晚清著名学者，凡天文、地理、乐律、算术、篆隶无不研究。陈氏行书植骨于欧阳通〈道因法师碑〉，风姿则取米芾〈蜀素帖〉之洒落，此幅写来俊朗圆匀，气畅神动，内容为节录谢兰生（1760－1831）《游罗浮日记》中之佳句。下半画幅为设色没骨兰花，灵妙俊逸，清雅可观。陈之迈先生捐赠于民国89年。(20110204) 内容简介（英文）： Chen Li (style names Lanfu and Lanpu, sobriquet Dongshu) had a studio named Dongshu, which is why people respectfully called him “Mr. Dongshu.” A native of Panyu in Guangzhou (modern Guangzhou), he was a famous scholar of the late Qing dynasty, being studied in astronomy, geography, music, mathematics, and seal and clerical script calligraphy.The foundation of Chen Li’s running script calligraphy lies in the “Stele of Dharma Master Daoyin” by Ouyang Xun, the style deriving from the fluid nature of Mi Fu’s “On Sichuan Silk.” In this work, the calligraphy is done in handsome and even lines, the brushwork flowing with spirit. The contents transcribe part of Record of Traveling to Luofu by Xie Lansheng (1760-1831). Below is an orchid painting in the “boneless” method of color washes using a spirited and untrammeled manner for a pure and elegant appearance.Mr. Ch’en Chih-mai donated this work to the National Palace Museum in 2000.(20110204)