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中华民国三十三年(1944)文字类型:
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题跋类别:作者款识;作者:馀绍宋;题跋位置:本幅;款识:臞翁先生诗来道故。词美意深。极为感幸。诗中以与可相儗不敢承也。率作一帧呈教。借志永好。甲申(西元一九四四年)新春。馀绍宋。;书体:行书;全文: 印记:馀绍宋、越园主题:
主要主题:树木竹技法:
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内容简介(中文): 馀绍宋(西元一八八二-一九四九年),浙江龙游人。号越园,别署寒柯。书画七代家传,善写木石松竹,间作山水。喜用焦墨,笔法谨严中寓有潇洒之致。生平自称字第一,竹次之。能诗,精鉴赏,富收藏。 墨竹三株,挺拔向上。竹干劲挺有力,竹叶纷繁而不乱,墨色层次井然,富有文人写竹之雅韵。 本幅为孙多慈女士捐赠。 内容简介(中文): 馀绍宋(1882-1949),浙江龙游人。号越园,别署寒柯。书画七代家传,善写木石松竹,间作山水。喜用焦墨,笔法谨严中寓有潇洒之致。生平自称字第一,竹次之。能诗,精鉴赏,富收藏。此幅绘墨竹三株,挺拔向上。竹干劲挺有力,竹叶纷繁而不乱,墨色层次井然,富有文人写竹之雅韵。孙多慈女士捐赠于民国62年。(20110204) 内容简介(英文): Yu Shaosong (sobriquet Yueyuan, self-styled name Hanke) was a native of Longyou in Zhejiang. Coming from a family of seven generations who practiced painting and calligraphy, he excelled at depicting trees, rocks, pines, and bamboo, also sometimes doing landscapes. He often enjoyed using very dry “scorched” ink, giving his brushwork a sense of utmost refinement and careful precision. He himself considered calligraphy as first in his life, followed by painting bamboo. He was an able poet as well as connoisseur, amassing a collection of his own. This work depicts three stalks of bamboo done only in monochrome ink as they rise through the composition. The stalks are upright and powerful, the leaves numerous yet not chaotic. Ink tones are layered and orderly, giving this painting much of the elegant harmony of bamboo depictions by literati.Ms. Sun Duo-ci donated this work to the National Palace Museum in 1973.(20110204) 内容简介(英文): Yü Shao-sung (sobriquets Yüeh-yüan and Han-K’o) was a native of Lung-yü, Chekiang. Seven generations of his family had been involved with painting and calligraphy. He himself excelled at painting trees-and-rocks, pines, and bamboo as well as an occasional landscape. He often liked to use very dry ink, giving his brushwork a feeling of utmost refinement within its severity. He himself considered calligraphy as one of the most important things in his life, followed by bamboo. He was an able poet and connoisseur, amassing a large collection. In this painting, three stalks of bamboo in monochrome ink rise upwards. The stalks are upright and powerful, while the leaves are numerous and crisscrossing, yet still retaining an orderly feel. The layers of ink tones are natural and the work is permeated with the elegant tone of literati depictions of bamboo. This painting was donated to the Museum by Ms. Sun Tuo-tz’u.