书体:

行书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

碧榆绿柳旧游中。华发苍颜未退翁。天使残年司笔研。圣知小学是家风。长安又到人徒老。吾道何时定复东。题柱扁舟真老矣。竟无事业奏肤公。米书虹县诗。所谓如快剑斫蒲苇者耶。临奉容方吾兄同年大人一笑。弟翁同龢。

印记资料:

作者印记：翁同龢印
作者印记：叔平
收传印记：瓶斋祕箧
收传印记：习是斋藏天随阁遗箧珍品
收传印记：习斋临过

题跋资料:

题跋类别： 签；包首  松禅行书六尺屏。一。神品。临米书虹县诗。签 包首  松禅行书六尺屏。二。神品。吹雪牋本。签 包首  松禅行书六尺屏。三。神品。己酉汪九自都寄致。签 包首  松禅行书六尺屏。四。神品。甲寅中秋在上海重装。

主题:

技法:

参考资料:

收藏着录： 谭伯羽谭季甫先生昆仲捐赠文物目录，页90 内容简介（中文）： 翁同龢（一八三O—一九O四），字声甫，号叔平、松禅老人，江苏常熟人。咸丰六年进士，官至协办大学士，曾经两度入军机兼总理各国事务大臣，为同治、光绪两朝帝师，有诗文集流传于世。翁同龢书法兼习各家之长，对汉隶以及颜真卿书学体悟尤深。此件书屏录写颜真卿〈争座位帖〉，气息淳厚宽博，可许为代表作之一。本幅为谭伯羽谭季甫先生昆仲捐赠。 内容简介（英文）： Weng T'ung-ho, a native of Kiangsu, was from a family of scholars and enjoyed studying as a youth. He went on to become a chin-shih civil service candidate of 1856 and to serve as Assistant Grand Secretary and in other major court posts. He was so respected as a scholar that he became instructor for emperors in the T'ung-chih and Kuang-hsu eras. Though he fell afoul of court politics and was forced to retire, he was a loyal official who expressed concern at a time of increasing turmoil that marked the close of imperial China.In calligraphy, Weng T'ung-ho studied many manners and was especially gifted in Han dynasty (206 BC-AD 220) clerical script and the style of Yen Chen-ch’ing (709-785). He maintained a balanced approach to stele and modelbook styles of calligraphy. This work extending over four hanging scrolls is a transcription of Yen Chen-ch'ing's “Controversy over Seating Protocol”. Although differing from the original brushwork, the broad interpretation and bold brushwork still convey the spirit of Yen's manner. Thus, this is one of Weng's representative works in running script.