书体:

色彩:

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绫本

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝（绣印）
鑑藏宝玺：乾隆鑑赏（绣印）
鑑藏宝玺：嘉庆鑑赏（绣印）
鑑藏宝玺：秘殿珠林（绣印）
鑑藏宝玺：三希堂精鑑玺（绣印）
鑑藏宝玺：宜子孙（绣印）
鑑藏宝玺：嘉庆御览之宝（绣印）
鑑藏宝玺：宣统御览之宝（绣印）
鑑藏宝玺：珠林三编（绣印）

题跋资料:

主题:

主要主题：佛道人物 普贤菩萨；次要主题：佛道人物佛道侍者 ；其他主题：走兽象 ；其他主题：车  

技法:

参考资料:

收藏着录： 国立故宫博物院刺绣，黑白图版95 收藏着录： 刺绣特展图录，页92、134 内容简介（中文）： 满绣填地五彩线绣。文殊菩萨驾狮图。无款印。本图中驾象者，为一罗汉形相。唯据经典纪录，驾象随侍释尊右侧者，应为普贤菩萨。又根据「法华经」所载，普贤菩萨曾发愿后世有修习该经者，「我当乘六牙白象与无量菩萨而自围绕，以一切重生所喜见身，现其人前，而为说法」据此，本幅刺绣中化现为罗汉法相者，应是普贤。是幅与释迦牟尼佛、文殊菩萨图、及本院所藏其他十大明王图像，共计十三件合称清绣线佛像十三轴。每幅绣像构图严谨，配色明丽，绣种多样，工整精美，观其绣风应当是乾隆时代宫廷刺绣，件件皆精品。 内容简介（中文）： 满绣填地五彩线绣普贤菩萨乘象图。根据法华经所载，普贤菩萨曾发愿若后世有修习该经者，「我当乘六牙白象与无量菩萨而自围绕，以一切众生所喜见身，现其人前，而为说法。」据此，本幅刺绣中化现为罗汉法相者，应是普贤菩萨。 是幅与释迦牟尼佛、文殊菩萨图、及本院所藏其他十大明王图像，计十三件合称清绣线佛像十三轴。每幅绣像构图严谨，配色明丽，绣种多样，工整精美。 内容简介（英文）： This scroll is filled with colored threads and shows the bodhisattva Samantabhadra as an old man in a cart drawn by a white elephant. According to the Lotus Sûtra, Samantabhadra is said to have made a vow to preach the Buddhist Law in order to bring joy and fulfillment to humanity. This old figure in the form of a lohan is thus a manifestation of Samantabhadra, the Bodhisattva of the Law. This work probably once formed part of an exquisite set composed of Shâkyamuni, Mañjusri, and the 10 Deva Kings. The compositions are all clearly defined and the colors opulent. Various embroidery techniques were employed, and the needlework is very refined. This set probably was made in the Ch’ien-lung reign (1736-1795). 网页展示说明 据经典记录，驾象随侍释尊右侧者，应为普贤菩萨。又根据法华经所载，普贤菩萨曾发愿，「若后世有修习该经者，我当乘六牙白象与无量菩萨而自围绕，以一切众生所喜见身，现其人前，而为说法。」据此，本幅刺绣中化现为罗汉法相者，应是普贤菩萨。白象驾车，全身装饰华丽，背上莲花座骑，上驮透明匣盒内置经书。二仆役嬉象于左右，普贤菩萨双臂扶栏，盘脚俯视高坐车上。车顶华盖四周彩云缭绕，云端之上显现白象六只。是图应为普贤菩萨乘象图。使用五彩色线刺绣，但其他无图案空白之处，亦用平绣填满。同样是满绣填地之作。 通幅绣工精整，设色明丽。是轴亦为本院所藏清绣线佛像十三轴之一。全部佛像共计十三轴，观其绣风，当为乾隆时代宫廷精品刺绣。 网页展示说明 This scroll is filled with colored threads and shows the bodhisattva Samantabhadra as an old man in a cart drawn by a white elephant. According to the Lotus Sutra, Samantabhadra is said to have made a vow to preach the Buddhist Law in order to bring joy and fulfillment to humanity. This old figure in the form of a lohan is thus a manifestation of Samantabhadra, the Bodhisattva of the Law. This work probably once formed part of an exquisite set composed of Shakyamuni, Manjusri, and the 10 Deva Kings. The compositions are all clearly defined and the colors opulent. Various embroidery techniques were employed, and the needlework is very refined. This set probably was made in the Ch?en-lung reign (1736-1795).