书体:

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：棠邨审定
收传印记：蕉林玉立氏图书

题跋资料:

主题:

主要主题：建筑 仙山楼阁；次要主题：佛道人物神、仙仙人；次要主题：翎毛鹤 ；次要主题：翎毛鸾凤 ；次要主题：翎毛  ；其他主题：树木  ；其他主题：走兽猴 ；其他主题：花草  ；其他主题：山水  ；其他主题：山水云 ；其他主题：山水奇石 ；其他主题：器用家俱（屏风）屏风、桌、椅；其他主题：器用饮食器 

技法:

织 

参考资料:

收藏着录： 缂丝特展图录，页16-17、94 收藏着录： 缂织风华：宋代缂丝花鸟展图录，页89-92 收藏着录： 国立故宫博物院缂丝，图版6 参考书目： 1.童文娥，〈缂丝仙山楼阁〉，收入童文娥主编，《缂丝风华 — 宋代缂丝花鸟展图录》（台北：国立故宫博物院，2007年初版一刷），页89。2.童文娥，〈宋缂丝仙山楼阁〉，《故宫文物月刊》，第300期（2008年3月），页49。 内容简介（中文）： 浅褐地设色织，仿青绿山水形式，以蓝、绿、红为主色，前景山石层层叠叠，奇花异树穿插掩映，猴群、鸟儿活跃其间。一幢华美的楼台殿阁矗立山峦幽谷中，天空布满各式红、蓝云彩，白鹤、彩凤飞翔，营造出遗世独立的仙境。此幅采对称式的构图，左右花纹对仗工整，织纹紧密，结合了各种缂丝技法，人物、花鸟、动物具图案化，又不失生动神韵，在线条的转折和色彩的浓淡的比例上，十分灵活，是宋代缂丝山水花鸟的极致表现。 内容简介（中文）： 浅褐色地设色织。织仙山楼阁，烟云缥缈，白鹤彩凤祥集。界画精工，织纹紧密，极细微处也能织出，如鸟的飞翔姿态、人物对谈的表情都缂织细致，变化丰富。分色细腻沈静，构图对称而内容图案化，极富古拙之生趣。本幅为「镂绘集锦册」第五幅。 内容简介（英文）： Colored threads are woven against a light brown background. In this depiction of pavilions among the mountains of the immortals, clouds and mists are shown wafting about as cranes and phoenixes fly in the sky above. The linear rendering of the architecture is quite delicate. The weaving is very refined with even the finest nuances suggested here, such as the movements of the birds and the details of the figures. The differentiation in coloring is also delicate and distinct. The composition is based on a mirror image along both sides of the axis running down the middle. This gives a sense of balance as well as archaism to the work. This tapestry is the 5th leaf from the album “Gems of Weaving”. 内容简介（英文）： This tapestry of colors on a light ochre background is done in imitation of “blue-and-green” landscape painting, using mostly blue, green, and red silk threads. The layers and ridges of the mountains in the foreground feature exotic flowers and unusual trees along with gibbons and birds. A beautiful and majestic two-story hall stands in the middle of valley, the sky filled with various red- and blue-tinged clouds with white cranes and colorful phoenixes flying about. An air of immortality permeates the scenery, creating a unique and otherworldly realm of the immortals. The composition of this work is symmetrical, the patterning identical on the right and left. The weaving is also dense, combining various tapestry methods. The figures, flowers, and animals are all patterned but not without life or spirit. The proportion of the turns and the density of the lines are quite nimble, making this a great expression in tapestry of Sung dynasty landscape with bird-and-flower subject matter. This is the fifth leaf in the album “Collected Brocade of Carved Paintings.”