书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：五福五代堂古稀天子宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：题跋；作者：于敏中；题跋位置：本幅；款识：臣于敏中奉勒敬书；全文：；书体：行书；全文：尚书阿桂还自伊犁。以所获鷟鸑尔鸟进。色正黝尾。中散白㸃如雪。糁赤睛黄。匡翎戢戢。骈半雉扇。然询其名。既无义可索。或请按鸟谱近似者当之。予曰否否。昔夏后羽毛作贡厪。中土职方恒产厥后。吉光生翠。又不越岭表炎洲而止。且名率侈艳。弗深考乃者。新域既屯既城。绥逺所徴。繄志实是赖。则思曩日剡笴之雄风。纪今时鸣岐之雅。则不其韪乎。爰仍其名。命郎世宁为之图。而系以诗。鷟鸑尔何出。伊犁沙水浔。戍还因致此。鸟谱绝难寻。项背如鹠雉。间关学戴鵀。白斑黒尾㸃。黄晕赤睛深。忽得羾亰阙。能无忆故林。聊将纪殊域。非是寳珍禽。御制鷟鸑尔诗并序。臣于敏中奉勅敬书。印记：以写葵心、臣于敏中

题跋类别：作者款识；作者：郎世宁；题跋位置：本幅；款识：臣郎世宁恭绘；书体：楷书；全文： 印记：恭、画

主题:

主要主题：翎毛 鷟鸑尔鸟；次要主题：树木松 ；其他主题：山水溪涧、湍泉 ；其他主题：树木竹 ；其他主题：花草 草；其他主题：花草芦苇 

技法:

工笔 皴法 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页2256 收藏着录： 故宫书画录（卷八），第四册，页130 收藏着录： 故宫书画图录，第十四册，页87-88 参考书目： 1.韩北新，〈郎世宁绘画系年(五)〉，《故宫文物月刊》，第71期（1989年2月），页69-70。 内容简介（中文）： 郎世宁（西元一六八八－一七六六年），意大利人。十九岁时，入主天主教耶稣会为修士。曾习油画，兼习建筑。二十七岁来华传教，以绘事供奉内廷。历仕康熙、雍正、乾隆三朝。画法参酌中西，善画人物、花鸟，尤擅犬马。绘「鷟鸑尔」独立于乔松之前，回首以喙整翅。此鸟生于西域，为朝臣阿桂由伊犁携回，进呈宫廷。图中御题诗亦见于《清高宗御制诗三集》，编年为乾隆癸未（一七六三年），是知此画为郎世宁七十五岁之作。 内容简介（英文）： Lang Shih-ning is the Chinese name used by Italian, Giuseppe Castiglione. At the age of 19, Castiglione entered the Jesuit order in Italy as a novitiate, and his early training included painting and architecture. He was subsequently sent to China and arrived in1715. His artistic skills came to the attention of the emperor, and he served in the inner court during the K’ang-hsi (1662-1722), Yung-cheng (1723-1735), and Ch’ien-lung (1736-1795) reigns as a painter. He combined his previous training with studies of Chinese painting techniques to create a style fusing the best of both traditions. He excelled at depicting figures, birds-and-flowers, and especially dogs and horses.In this painting is a depiction of a bird known as a “cho-yüeh” perched alone on an outcropping by a magnificent pine, turning its head with wing outstretched to preen its feathers. This bird is native to the regions west of China. The bird in this painting was taken back to court from the region of I-li and presented by the official A-kuei. The imperial poem inscribed on the painting is also found in the Ch’ien-lung emperor’s published collection of poetry. Composed in 1763, we thus know from this poem that Castiglione was 75 at the time painting was done.