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题跋类别:作者款识;作者:徐恒;题跋位置:本幅;款识:凫村徐恒;书体:楷书;全文: 印记:徐、恒主题:
主要主题:花草芙蓉 ;次要主题:草虫蜂技法:
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收藏着录: 故宫书画录(卷八),第四册,页162 内容简介(中文): 清徐恒(活动于西元十九世纪中叶),字祝平,号竹坪,又号小涛,青浦(上海)人,施润春弟子,善山水,尤心契沈周、李流芳两家,兼涉宋元,工隶书。画芙蓉,清新淡雅,以淡墨钩出花瓣,叶片以没骨出之。两只蜜蜂遥遥相对,以滕黄染头,凸显于画面,为平板的花叶增添鲜活的效果。本幅为「艺林清赏」册第十开。 内容简介(英文): HibiscusHsü Heng (act. mid-19th cent.)Ch’ing Dynasty Hsü Heng (style name Chu-p’ing; sobriquets Chu-p’ing, Hsiao-t’ao) was a native of Shanghai. A follower of Shih Jun-ch’un, he excelled in landscape painting. He especially admired the styles of Shen Chou and Li Liu-fang of the Ming dynasty, and he also learned from the Sung and Yüan masters. In addition, he was skilled in clerical calligraphy. Hsü Heng has painted fresh and delicate hibiscus. He used light ink to paint the contours of the petals amd boneless (mo-ku) method for the leaves. Two bees, painted with rattan yellow, seem to stand out from the picture plane as they fly about, adding an element of animation to the rather flat flowers. This painting is the tenth leaf in the album Yi-lin ch’ing-shang.