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册(蝴蝶装)

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本幅纸

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印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

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收藏着录： 石渠宝笈续编（重华宫），第三册，页1714 收藏着录： 故宫书画录（卷八），第四册，页145 收藏着录： 故宫书画图录，第二十七册，页248-251 内容简介（中文）： 满清宗室 弘旿（卒于西元一八一一），字卓亭，号恕斋，为允秘之子、康熙皇帝之孙。弘旿爱好文学书画，跟随宫廷画家董邦达学画，画风受当时仿古潮流影响，不以新奇为能事。弘旿落款用印附加「臣」字，如此敬慎的态度也见于弘旿其他作品，即使并非奉旨之作亦复如此。由于「弘」字与乾隆皇帝「弘历」第一字相同，为了表示恭敬，弘旿又沿用避讳的惯例，缺写最后一笔。 内容简介（英文）： Hung-wu, a member of the Manchu imperial clan, was a grandson of the K'ang-hsi Emperor (r. 1662-1722). He enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. Hung-wu's style was influenced by the trend then of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch'en ? ”, meaning a court subject. This reverent attitude is also found in his other works. Even a work not done on imperial command reveals this attitude of his. Since the character for “Hung” is the same as the first one in the Ch'ien-lung Emperor's personal name (Hung-li), out of respect, Hung-wu followed the custom of avoiding such so-called taboo characters by leaving off the last brushstroke of that character. 内容简介（英文）： Hung-wu of the Manchu imperial clan was a grandson of the K'ang-hsi Emperor (r. 1662-1722). Hung-wu enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. His style was influenced then by the trend of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch’en 臣”, meaning a court subject. This reverent attitude is also found in other works. Even a work not done on imperial command reveals this attitude. Since the character for “Hung” is the same as the first one in the Ch'ien-lung Emperor's personal name, Hung-li, Hung-wu expressed respect by following the custom of avoiding such so-called taboo characters by leaving off the last stroke.