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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:严宏滋;题跋位置:本幅;款识:蓉江严宏滋写;书体:行书;全文: 印记:天上吹嘘、严宏滋印、丕绪、江阴人主题:
主要主题:佛道人物神、仙仙(采芝仙);其他主题:器用篮.篓.箩筐 ;其他主题:器用葫芦 ;其他主题:器用耕织渔猎耕(镢);其他主题:花草灵芝 ;其他主题:果蔬桃子仙桃;其他主题:果蔬藕 ;其他主题:器用服饰(对人)披肩;其他主题:树木柏 ;其他主题:树木松技法:
人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈续编(重华宫),第四册,页1861 收藏着录: 故宫书画录(卷八),第四册,页128 收藏着录: 故宫书画图录,第十四册,页145-146 内容简介(中文): 严宏滋,字丕绪,江苏江阴人。生卒年未详,约活动于乾隆朝中期。善书画,尤精道释人物。高宗两次南巡,献画,均称旨。 画采芝仙女,席地休憩,状甚消遥閒适。开脸略受西洋阴影法影响,设色明净,衣纹则以流利笔意写之,于工谨中,亦饶雅逸之趣。 内容简介(英文): Picking the Fungus of ImmortalityYen Hung-tzu (fl. C. 1750-1795 A.D.)Ch’ing dynasty A skilled calligrapher and painter, Yen Hung-tzu (tzu P’i-hsü) was noted particularly for his Taoist and Buddhist figure paintings. On two occasions Yen presented paintings to the Ch’ien-lung Emperor when the latter toured southern China and these paintings pleased the Emperor greatly. The painting represents a female picking the fungus of immortality. Seated on the ground, she has an air of remote tranquility. The use of shading in the face reflects influence from Western painting and the color is bright and pure. The coarse, fluent brushwork of the drapery folds contrasts sharply with the meticulously detailed brushwork of the face.