书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：朱先；题跋位置：本幅；款识：名花随意好。小景亦离奇。细雨连宵后。疎风拂槛时。偶焉涂蛱蝶。率尔写螽斯。醉茗生香处。酣来有此诗。七十三老朱先。；书体：行书；全文： 印记：朱先私印、字允先、诗中画画中诗

主题:

主要主题：草虫蝶蛾 ；次要主题：草虫螳螂 ；次要主题：水中动植物青蛙．蟾蜍青蛙；次要主题：草虫蟋蟀 ；次要主题：花草芦苇 ；其他主题：花草  

技法:

工笔 没骨 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页136 收藏着录： 故宫书画图录，第九册，页289-290 参考书目： 1.王耀庭，〈朱先草虫〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页70。 内容简介（中文）： 朱先，字允先，号雪林，武进人，善画草虫，?以芦梢麦杆代笔，无意求工，而栩栩生动。性淡雅，喜着书，卒年八十三。 牵牛花绕着芦草，螽斯、蝴蝶前来嬉戏，情境正如题诗「小景亦离奇」。画家以简率的笔调，雅淡的色彩，画江边小景。颇有平淡之趣。 内容简介（中文）： 朱先是江苏武进人，生年不详，卒年约八十三岁。擅于画草虫，但并不刻意追求工整，经常以芦草，或者麦杆来代替毛笔，而能将花卉昆虫描绘得栩栩生动。本幅是他七十三岁的作品。画中，牵牛花围绕着芦苇，绽放出美丽的蓝色花朵，四周并有螽斯、螳螂、蝴蝶和小雨蛙穿梭嬉戏。取材与布局，虽然只是野外常见的景象，然而透过率意的笔调，与雅淡的色彩，却能让人领略无比清新的畅快感受。 内容简介（英文）： Little is known about Chu Hsien, except that he was a native of Kiangsu province and that he died at the age of 82. He excelled at plants and insects, but did not use precise brushwork. He often used a reed or a stalk of wheat as his brush. theless, his flowers, plants, and insects were quite lifelike. This work was done at the age of 72. Shown here is a morning glory plant at the base of some reeds as it bursts forth with beautiful blue blossoms. Katydids, a mantis, and two butterflies frolic among the plants as a small frog sits on the ground below. Despite this simple arrangement and the common subjects, the artist's use of sketchy brushwork and elegant coloring suggest the carefree innocence and delight of an intimate rustic setting. 内容简介（英文）： InsectsChu HsienCh’ing dynasty (1644-1911) Chu Hsien was a native of Wu-chin in Kiangsu province. His style name was Yüan-hsien and his sobriquet was Hsüeh-lih. He used reed stuck into a wheat-stalk holder as his painting brush. When he painted he did not care for details, yet the effect was very lifelike. He was a man with plain and refine taste and devoted himself to writing. He died at the age of eighty-two. The morning glory vines twine around reeds along a river bank. Two butterflies and other insects seem to love this little corner. In simple yet bold brushwork, Chu Hsien depicts this little riverside scene with light and elegant coloration. It is indeed an ordinary spot, yet how strangely exquisite it could be!