书体:
色彩:
浅设色装裱形式:
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本幅绢释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:沈颢;题跋位置:本幅;款识:叔明意。倪迂神。北苑右丞骨。去一不可。朗道人戏画于癯关。;书体:草书;全文: 印记:沈颢朗倩主题:
主要主题:山水 ;其他主题:花草藤萝 ;其他主题:树木椿 ;其他主题:器用家俱(屏风)窗帘;其他主题:建筑篱笆、围墙 ;其他主题:建筑房舍 ;其他主题:树木寒林.枯树枯树;其他主题:山水瀑布 ;其他主题:树木技法:
写意 皴法披麻皴人物衣纹描法(减笔)参考资料:
收藏着录: 故宫书画录(卷八),第四册,页132 收藏着录: 故宫书画图录,第十四册,页1-2 内容简介(中文): 沈颢(西元一五八六生一六六一尚在)吴县人,字朗倩,号石天。性豪放好奇。诗文书画无所不能,深于画理,着有画尘行世。 沈朗倩画,内府所收甚少,此幅于嘉庆时始入宫,笔意清奇,特有雅秀之韵。一山两树,屋舍寂然,不以多争胜,觉笔墨意境间有与陈老莲崔子忠互通鼻息处。 内容简介(英文): Shen Hao was a native of Wu-hsien, in Kiangsu province, with tzu (style name) Lang-ch’ien and hao (sobriquet) Shih-t’ien. He was a bold and spirited individual with a curious eye for strange phenomena. Accomplished in all the gentlemanly arts, literary composition, calligraphy and painting, he was particularly well versed in the last and wrote a book called Hua-chu, “Chats on Painting”. He was known to be still around in 1661. Very few of his paintings were collected by the emperors; this example entered the imperial collection during the Chia-ch’ing reign (1796-1821). There is an exceptionally fine-toned elegance to its striking originality. It depicts no sensational scenery, simply a swelling and two trees on a single mountain. In his inspiration and technique the artist seems to breathe the same air as that of Ch’en Hung-shou and Ts’ui Tzu-chung, two equally original contemporaries of his.