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色彩:
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本幅纸释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:贾全;题跋位置:本幅;款识:臣贾全恭画;书体:楷书;全文: 印记:臣、全主题:
主要主题:山水冬景(雪景) 主要主题:花草梅(白.红.蜡梅)白梅、红梅主要主题:人物高士(士人、隐士)三人;次要主题:山水山径 ;次要主题:器用服饰(对人)包袱;次要主题:器用文玩(琴棋书画)书(书卷、书册);次要主题:器用文房用具笔、砚、纸、笔帘、笔山;次要主题:人物侍从(侍女、童仆)侍从一;次要主题:山水溪涧、湍泉溪涧;次要主题:器用家俱(屏风)石桌;次要主题:建筑桥 ;其他主题:山水瀑布 ;其他主题:花草 草技法:
写意 皴法斧劈皴人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2454 收藏着录: 故宫书画录(卷八),第四册,页128 收藏着录: 故宫书画图录,第十四册,页147-148 内容简介(中文): 贾全,生死时年籍贯,画史都无记载,乾隆时,任职内廷画院供奉。工画人物山水。画法接近金廷标,树石皴纹喜欢使用「小斧劈」法,山石明暗向背,绝少渲染。如本轴画山脚溪旁,老梅着花,文士三人正据石案,捉笔题咏,人物树石,着色尚称雅丽,唯用笔繁细琐碎,过于刻画,反伤自然含蓄的韵致。 内容简介(英文): Writing Poetry by Plum BlossomsChia Ch’üan (active 1736-1796)Ch’ing dynasty The details of Chia Ch’üan’s life are not recorded in the histories of painting. He served as a painter in the painting academy during the Ch’ien-lung period (1736-1796) and specialized in figures and landscapes. His style approached that of Chin T’ing-piao, particularly in the use of the “small axe stroke” to render the surfaces of trees and rocks. He made little use of ink wash to produce the strong contrast of light and shade on the rugged surface of rocks. This painting represents the foot of a mountain beside a stream, where an ancient plum tree is blooming and three scholars lean against a stone bench writing poetry. The use of color in the figures, trees, and rocks is elegant and beautiful, but the filling in of details with the brush is overdone and rather stiff, destroying any feeling of naturalness or spontaneity.