书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

题跋类别：作者款识；作者：钱维城；题跋位置：本幅；款识：臣钱维城恭画；书体：楷书；全文： 印记：臣钱维城、染翰

主题:

主要主题：花草水仙 主要主题：花草茶花 主要主题：花草梅（白．红．蜡梅）红梅；其他主题：花草 花

技法:

没骨 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页113 收藏着录： 故宫书画图录，第十二册，页207-208 内容简介（中文）： 钱维城（西元一七二０－一七七二年），江苏武进人。字宗磐，号茶山。早年曾随族祖母陈书（西元一六六０－一七三六年）学画花卉，后则精研山水。从本幅来看，钱维城画花卉虽初学陈书，郤不似其偏向于写意的风格，而是邹一桂（西元一六八八－一七七二年）精细工丽的画风，并加上郎世宁（西元一六八八－一七六六年）注重光影变化的技法。这应是当时宫廷中，画家相互影响所致。 内容简介（英文）： Ch'ien Wei-ch'eng, a native of Wu-chin in Kiangsu, learned to paint flowers as a youth from his grandmother Ch'en Shu (1660-1736). He later came to focus on landscapes. This work shows that, although Ch'ien Wei-ch'eng learned flower painting early on from Ch'en Shu, he did not follow her tendency towards the “sketching-ideas' manner. Instead, this is more in the fine and delicate painting style of Tsou I-kuei (1688-1772) combined with an emphasis on shading techniques from the Italian artist Giuseppe Castiglione (1688-1766). Thus, this appears to be a work that was influenced by contemporary court styles. The painting of the three motifs are cut off arbitrarily at the bottom so as to focus on them.