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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:弘旿;题跋位置:本幅;款识:万壑祥云。恭仿范宽笔意。臣弘旿。;书体:楷书;全文: 印记:臣弘旿、学画主题:
主要主题:山水 ;次要主题:树木松 ;次要主题:山水江河、湖海 ;次要主题:山水云 ;次要主题:建筑桥 ;其他主题:建筑房舍 ;其他主题:树木技法:
写意 皴法 皴法披麻皴苔点参考资料:
收藏着录: 故宫书画录(卷八),第四册,页100 收藏着录: 故宫书画图录,第十一册,页95-96 内容简介(中文): 作者弘旿,生死时年不详,惟以流传作品看,他的绘画活动应在乾隆十六(公元一七五一)年至五十七年(公元一七九二)间。为满清宗室,字恕斋,又字醉迂,号一如居士、瑶华道人,官封固山贝子,能诗又能画。他的山水画,虽然自署上追宋元人,如本幅自题倣范宽,但从笔墨形式看,仍然不出王时敏、王原祁祖孙的影响。不过,他用笔纯是中锋,线条粗重繁密,加上结构森严,特别能够表现山领的浑厚峻拔的气势。 内容简介(英文): Hung Wu (tzu Shu-chai, Tsui-yü; hao I-ju chü-shih, Yao-hua tao-jen) was a member of the Ch’ing imperial family. While his precise birth and death dates are not known, his dated works indicate that he was active between 1751 and 1792. Hung held an official post and was, moreover, a skilled poet and painter. In painting landscapes he professed to follow the masters of the Sung and Yüan dynasties. However, careful study of a painting like this, inscribed as “in the manner of Fan K’uan”, reveals that he, in fact, did not look beyond Wang Shih-min, Wang Chien and their followers. His dense, rough brushwork is focused on creating awe-inspiring compositions. He was, thus, particularly able to express the grandeur and lofty vitality of mountain peaks.