书体:
色彩:
设色装裱形式:
轴创作时间:
清世宗雍正二年(1724)文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:蒋廷锡;题跋位置:本幅;款识:甲辰(西元一七二四年)六月倣元人设色。南沙蒋廷锡。;书体:行楷书;全文: 印记:蒋廷锡印、青桐居士主题:
主要主题:花草萱花 主要主题:翎毛寿带 主要主题:果蔬杨梅 ;次要主题:花草剪秋罗、石竹 ;其他主题:山水瀑布技法:
写意 没骨 双钩 皴法 苔点参考资料:
收藏着录: 石渠宝笈续编(御书房),第四册,页2110 收藏着录: 故宫书画录(卷八),第四册,页100 收藏着录: 故宫书画图录,第十一册,页53-54 参考书目: 1.邱士华,〈清 蒋廷锡 画杨梅练雀〉,收入冯明珠主编,《雍正—清世宗文物大展》(台北:国立故宫博物院,2009年九月初版一刷),页326。 内容简介(中文): 蒋廷锡(西元一六六九-一七三二年),江苏常熟人。字扬孙,号酉君,又号西谷。官至文华殿大学士,工画花卉草虫,以逸笔写生,没骨花鸟画继承恽寿平风格。 此幅绘山涧清泉,底生萱草、剪秋罗,旁植杨梅,栖练雀二。此类秾丽风格的作品,乍看甜熟,然细审之无不生动有致。蒋氏以其鲜豔色彩为当时宫廷画坛开新风尚。 内容简介(英文): Chiang T’ing-hsi (style names Yang-sun and Hsi-chün; sobriquet Hsi-ku) was a native of Ch’ang-shu. As an official, he rose to the rank of Grand Secretary of the Wen-hua Hall. He also excelled at depicting insects-and-flowers, and he also painted from nature using a spontaneous manner. In terms of bird-and-flower painting in the “boneless” (wash) style, he followed the style of Yün Shou-p’ing (1633-1690). In this painting is a mountain gorge with a stream cascading down in the background. In the foreground are day-lilies and late-pink (lynchnis). Resting in the arbutus tree bearing fruit is a pair of flycatchers. The opulent style of this work invites the viewer to partake in the lively scene and peruse the details of each object. Chiang’s use of such opulent colors was an innovation in court bird-and-flower painting at the time.