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色彩:
水墨装裱形式:
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清圣祖康熙三十八年(1699)文字类型:
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鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:王原祁;题跋位置:本幅;款识:黄鹤山樵。远宗摩诘。近师松雪。而其气韵天然。浑厚磅礡。则全本董巨。馀家旧藏丹台春晓。及云间所见夏日山居。皆融化诸家而出之。临摹家未得其意。则与相去什百倍屣矣。含吉表弟四袠。馀写此意为祝。欲与二图少分相应。历年未成。既成谛观。全未得山樵脚汗气也。因书之以志愧。时康熙己卯(西元一六九九年)清和下澣。王原祁。;书体:行书;全文: 印记:王原祁印、茂京父、扫华菴、兴与烟霞会主题:
主要主题:山水 ;其他主题:树木竹 ;其他主题:建筑亭 ;其他主题:建筑桥 ;其他主题:建筑房舍 ;其他主题:树木松 ;其他主题:山水瀑布 ;其他主题:山水溪涧、湍泉 ;其他主题:山水石磴、栈道石磴;其他主题:树木技法:
皴法 皴法披麻皴苔点参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2213 收藏着录: 故宫书画录(卷八),第四册,页97 收藏着录: 故宫书画图录,第十册,页267-268 内容简介(中文): 王原祁,江苏太仓人。(西元一六四二至一七一五)时敏之孙,字茂京,号麓台。康熙庚戌进士,历官少司农。画由家学,远迈时伦,为清四大家之一。江干古寺,掩映松麓之间,冈峦云起,涧壑绮错,无容针之隙。而江天同白,使虚实相间,故厚重轻灵,白黑相对,转而愈妙。山用侧笔叠皴,偶用澹墨湿笔以醒枯浓。画松画竹,笔极老辣,如钝刀刮锈,窒涩中有真力在,五十八岁画。 内容简介(英文): Wang Yűan-ch’i (1642-1715) was a native of T’ai-ts’ang, Kiangsu. He is included among the Four Great Masters of the Ch’ing Dynasty.The painting depicts a temple in the midst of a grove of pines by the river. Clouds rise from the mountains, while the landscape is so densely painted that it could not ‘contain a needle.’ Both sky and river are white, providing a dramatic contrast of positive and negative space. In painting the mountains, Wang Yűan-ch’i used a slanting brushstroke and ink dabs, with occasional light ink washes for emphasis. The pine trees and bamboo are painted with extraordinarily decisive, knife-like brushstrokes. Wang Yűan-ch’i painted the landscape when he was 58 years old.