书体:
色彩:
浅设色装裱形式:
轴创作时间:
明穆宗隆庆二年（1568）文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：陆治；题跋位置：本幅；款识：凭江（山截）（山集）芙蓉起。飞阁攒空玉蝀斜。席上山河虚万里。掌中指点十洲花。隆庆戊辰（西元一五六八年）八月三日。包山陆治画并题。；书体：楷书；全文： 印记：陆氏叔平、陆治之印、包山子主题:
主要主题：山水 ；次要主题：山水山径 ；次要主题：山水江河、湖海 ；次要主题：山水瀑布 ；次要主题：山水云 ；次要主题：建筑台阁 ；次要主题：建筑桥 ；其他主题：人物高士（士人、隐士） ；其他主题：树木 ；其他主题：树木松技法:
写意 皴法斧劈皴皴法折带皴人物衣纹描法(减笔)参考资料:
收藏着录： 石渠宝笈三编（延春阁），第五册，页2821 收藏着录： 故宫书画录（卷八），第三册，页83 收藏着录： 故宫书画图录，第八册，页9-10 参考书目： 1.王耀庭、张华芝，〈明陆治飞阁凭江图〉，收入王耀庭、张华芝编，《明陆治作品展览图录》（台北：国立故宫博物院，1992年初版），页72-73。 内容简介（中文）： 陆治（西元一四九六－一五七六年），江苏苏州人。字叔平，住在包山，因号包山子。以孝友着称，好为诗及古文辞，善行楷，尤通绘事，游祝允明、文征明之门。其于绘画，力求出奇致胜。工写生，点染花鸟竹石亦颇能传神，是明代有名的画家。 浅设色画，飞阁凭江，奇山峻石，有稜有角，以方折笔墨出之，显现作者独创的风格。飞云悬瀑，仅寥寥数笔，亦颇见特色。人物之线条肯定简约，系出吴门。画有隆庆戊辰年款，为陆治七十三岁之作。 内容简介（中文）： 陆治原本从学于文征明（一四七O－一五五九），再从文氏探索王蒙（一三O八－一三八五）、倪瓒（一三O一－一三七四）各家笔法，进一步从宋元绘画大传统中提炼出自己的风格。本幅画作即兼有宋人构图的意念和元人笔墨的趣味，运用转折明快的笔法，勾画出简洁有力的轮廓皴线，将山石的硬度和质感传达出来，是七十三岁积学深厚、老境成熟之作。 内容简介（英文）： Lu Chih originally studied painting under Wen Cheng-ming (1470-1559), and then through Wen looked back to the styles of such artists as Wang Meng (1308-1385) and Ni Tsan (1301-1374). By going back to the great traditions of Sung (960-1279) and Yüan (1279-1368) painting, he was able to create his own style. This work combines the composition of Sung painting and the brushwork of Yüan art along with his own unique style of crisp, angular brushwork. He formed pure yet powerful outlines and textures for the mountains, thereby expressing their hardness and appearance. This painting, done in 1568 at the age of 72, reflects the breadth of Lu Chih’s learning and the maturity of his style at this time. 内容简介（英文）： Lu Chih whose style name was Shu-p'ing and sobriquet, Pao-shan-tzu was a native of Soochow, Kiangsu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu Chih became a well-known Ming Dynasty painter.This painting touched with light color depicts a river vista from a pavilion on a cliff. The oddly-shaped mountain and precipitous rocks were drawn with sharp-angled strokes that reveal Lu's original style. He used terse brush strokes, characteristic of his painting, to portray drifting clouds and the plummeting waterfall. The figures were drawn with a few simple but affirmative strokes which is derived from the Wu School. The painting is dated 1568, when the artist was seventy-two years old.
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