书体:

色彩:

设色,青绿,描金,泥金

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：宣统御览之宝

题跋资料:

主题:

主要主题：经史‧故事 明妃出塞主要主题：人物仕女 ；次要主题：人物官员（臣） ；次要主题：人物侍从（侍女、童仆） ；次要主题：人物军士 ；次要主题：人物圉人 ；次要主题：走兽马3匹；其他主题：山水  ；其他主题：山水江河、湖海 ；其他主题：树木  ；其他主题：器用 马身佩饰；其他主题：器用乐器琵琶；其他主题：器用兵器弓箭、刀；其他主题：器用扇 

技法:

工笔 皴法披麻皴人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页72 收藏着录： 故宫书画图录，第五册，页273-274 内容简介（中文）： 《汉书》记西元前三三年，匈奴呼韩耶单于臣服汉威并愿为汉婿，于是元帝将后宫王嫱（字昭君）赐单于。后世关注同情这段史实，故事亦陆续增添情节及意象。如「马上琵琶」原指昭君出塞途中，马上乐师鼓奏琵琶以慰借；然唐诗描写昭君出塞，已加入昭君马上弹抱琵琶倾诉哀怨的形象。画中昭君侧身凝视，与送行汉人皆坐黑鬃马，侍女揹负琵琶随侍。人物风格受明仇英、尤求影响，约作于晚明。(20091016) 内容简介（英文）： The Book of Han records how Chief Han of the Xiongnu nomads in 33 BCE indicated his willingness to assume “son-in-law” status with the Han dynasty, whereupon Emperor Yuandi presented Wang Qiang (style name Zhaojun; Concubine Ming) of his harem to him. Later generations took pity upon her in this true story as various imagery was gradually added to it. “With a Pipa on Horseback,” for example, shows her crossing the border with a pipa player on horseback to console her. And by the Tang dynasty, images of Zhaojun show herself with a pipa in a plaintive expression. Here, she appears sideways (with an attendant holding a pipa) looking at her escort. Revealing the style of Qiu Ying or his influence, this work dates to about the late Ming (1368-1644).(20091016)