书体:
色彩:
设色,青绿装裱形式:
轴创作时间:
元武宗至大二年(1309)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:赵孟頫;题跋位置:本幅;款识:至大二年(西元一三0九年)九月四日。吴兴赵孟頫画。;书体:行书;全文: 印记:赵孟頫印、赵、赵氏子昂、天水郡图书印主题:
主要主题:山水 ;次要主题:山水溪涧、湍泉湍泉;次要主题:山水瀑布 ;次要主题:人物高士(士人、隐士) ;次要主题:树木松 ;其他主题:山水云 ;其他主题:树木技法:
工笔 皴法 人物衣纹描法(匀称线条)参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页1105 收藏着录: 故宫书画录(卷八),第四册,页63 收藏着录: 故宫书画图录,第四册,页39-40 参考书目: 1.王耀庭,〈元赵孟頫观泉图〉,收入王耀庭编,《青绿山水画特展图录》(台北:国立故宫博物院,1995年七月初版一刷),页86。 内容简介(中文): 赵孟頫(西元一二五四—一三二二年),字子昂,号松雪道人。本宋宗室,宋亡仕元,至翰林学士承旨,封魏国公,諡文敏。诗文清远,工书善画。所倡书法入画观念,影响后世甚钜。青壁双起,苍松夹峙,半为云掩,瀑水自石壁间出,数折而下,士人抱拳听泉,状甚悠閒。此图笔法高逸,青绿设色亦极淳厚典雅,以明文征明、仇英风格之笔墨,作此颇富赵氏青绿山水韵味之作品。 内容简介(英文): Chao Meng-fu, a scion of the Sung imperial family, also served the Yüan dynasty as Scholar in the Hanlin Academy. His writing was pure and he excelled at painting and calligraphy. Advocating the use of calligraphy in painting, he had a great influence on later generations.In this painting, hoary pines stand wedged between two bluish cliffs. Halfway concealed in the clouds, a waterfall emerges from amidst the stony cliffs and descends in several turns. A scholar with hands clasped listens to the waterfall in tranquil relaxation. The brushwork is untrammeled and the coloring simple yet classically elegant. This work, much in the manner of Chao's blue-and-green style, reveals the style of Wen Cheng-ming and Ch'iu Ying.