书体:

色彩:

设色,青绿

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：（三印漫漶不可辨）

题跋资料:

主题:

主要主题：经史‧故事 归去来辞主要主题：人物高士（士人、隐士）陶渊明；次要主题：人物仕女 ；次要主题：人物侍从（侍女、童仆）侍女、童仆；次要主题：人物渔夫、船夫纤夫；次要主题：树木松 ；次要主题：树木杨柳 ；次要主题：建筑房舍 ；其他主题：建筑桥 ；次要主题：建筑篱笆、围墙篱笆；次要主题：船客舫 ；其他主题：山水江河、湖海江河；其他主题：人物孩童 ；其他主题：人物百姓 ；其他主题：树木  ；其他主题：走兽狗 ；其他主题：建筑亭 ；其他主题：器用家俱（屏风）屏风；其他主题：器用花器瓶；其他主题：器用文玩（琴棋书画）书画

技法:

工笔 写意 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页29 收藏着录： 故宫书画图录，第十五册，页7-8 参考书目： 1.王耀庭，〈六朝宋陆探微归去来辞图　〉，收入王耀庭编，《渊明逸致特展图录》（台北：国立故宫博物院，1988年初版），页98。2.王耀庭，〈传六朝宋陆探微归去来辞图〉，收入国立故宫博物院编辑委员会编，《文学名着与美术特展》（台北：国立故宫博物院，2001年初版），页148-149。 内容简介（中文）： 东晋陶渊明不欲为五斗米折腰，离开宦场，作〈归去来辞〉抒发己志。本幅即描绘〈归去来辞〉起首「归去来兮，田园将芜」至「三径就荒，松菊犹存」一段。画中陶渊明载菊乘舟，家人欢欣迎接，融入辞中「舟遥遥以轻飏」、「僮仆欢呼，稚子候门」所述。陆探微为南朝宋（西元四二○—四七九年）画家，以善画人物故实得名。唯本幅以画风论，可能是十三世纪以后的作品。(20091016) 内容简介（中文）： 幅主角陶渊明是乘船载菊归来，而不是如多数本子所见，站立在船头，临风而立，与家人招手相应。这是与其它归去来辞图较为不同之处，但是一样的表达「舟摇摇以轻飏」，门前柳树风飘，「僮仆欢迎，稚子侯门」的回归家园的喜悦。陆探微约活动于西元五世纪中期，他以善画人物故实得名，在当时被认为承先启后的大画家。本幅绝对不是五世纪的画风，可能是十三世纪以后的作品了。 内容简介（英文）： The author of "Homecoming Ode", T'ao Yüan-ming, appears here returning home in a boat with a pot of his favorite flowers-chrysanthemums. Other illustrations show T'ao standing at the front of a boat in the wind with his hand raised to those waiting for him. Here, however, he is shown seated. The willow trees in the wind express the idea of "The boat rocks in the light breeze" and the people coming out of the building reflect the "attendants greeting." Thus, this painting still reveals the joy expressed by T'ao in his ode on returning home. Lu T'an-wei was an important transitional painter known for his figural and narrative themes. This work, though not by Lu, perhaps dates from after the 13th century. 内容简介（英文）： Tao Yuanming (365-427) decided not to be a slave to his official’s salary of 5 pecks of rice, so he left office and wrote “Returning Home” to express his ambitions. This work depicts the first part (“Let me return home! My fields will become desolate.”) to “The paths were filled with weeds, but the pines and chrysanthemums were still there.” Here, Tao has picked his favorite flower, the chrysanthemum, and is in a boat as family members come out to greet him, depicting “Lightly my boat rocked back and forth” and “Welcoming servants all came out as children waited at the gate.” Lu Tanwei was a painter of the Liu-Song era who excelled at figure and narrative subjects. The style of this work, however, probably dates to the 13th century or later.(20091016)