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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:题跋;作者:僧志恩 大乘山比丘志恩拜赞;书体:行书;全文:披发编蒲净法身。手持经卷现童真。法门不二无言说。惭愧毘耶彼上人。大乘山比丘志恩拜赞。题籤清高宗题籤 ;书体:行书;全文:宋人画童真像。印记:乾隆宸翰主题:
主要主题:佛道人物菩萨文殊(童贞);其他主题:器用文房用具经卷技法:
工笔参考资料:
收藏着录: 秘殿珠林续编﹝清干宫﹞,页94 收藏着录: 故宫书画录﹝卷五﹞,第三册,页132 收藏着录: 故宫书画图录,第三册,页45-46 内容简介(中文): 墨笔画童贞像,微以浅色渍染,披发持经,衣编蒲之衣,笔意静穆之甚。按傅亮文殊师利?贝云:在昔龙种,今也童贞。又维摩诘所说经文殊师利问疾品第五,佛遣文殊师利诣维摩诘问疾,于是同诸菩萨入毗耶离城,与维摩诘往返辩论。本幅题句云:法门不二无言说,惭愧毗耶彼上人,据此则知本幅所绘实即文殊师利像也。 内容简介(英文): This painting, done in brush and ink with a slight touch of clear colour, depicts a T'ung-chen. Holding a sutra-scroll, he has long unravelled hair and wears a garment of plaited reeds. The mood is estremely quiet and solemn.According to the "Encomium to Mañjušrí” by Fu Liang (5th century A.D.), "The Manjusri of former times is now a monk who has reached the stage of child-1ike innocence T'ung-chen."In the Vimalakírti-nirdeša sûtra (part I I, ch.5) it is related how the Buddha sent Mañjušrí to enquire after the health of Vimalakírti. Mañjušrí and all the bodhisattvas went to his home in Vaisâlí, India, and held a great debate with him.The inscription on this painting says, "Vimalakírti says nothing to illustrate the buddhist principle of non-duality. Mañjušrí is shamed by the holy man of Vaisâlí." This tells us that this is a portrait of Mañjušrí.