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作者印记:千里题跋资料:
题跋类别:题签; 裱纸 ;书体:行书;全文:赵千里江楼卧雪。主题:
主要主题:山水冬景(雪景) 主要主题:山水江河、湖海 ;次要主题:人物高士(士人、隐士) ;次要主题:树木松 ;次要主题:建筑水榭 ;其他主题:树木竹 ;其他主题:器用家俱(屏风) ;其他主题:器用香炉.火盆火盆技法:
界画 皴法斧劈皴人物衣纹描法(匀称线条)参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2499 收藏着录: 故宫书画录(卷六),第四册,页185 收藏着录: 故宫书画图录,第二十九册,页192-197 参考书目: 1.林莉娜,〈宋赵伯驹江楼卧雪〉,收入林莉娜、张华芝编,《冬景山水画特展图录》(台北:国立故宫博物院,1989年元月初版),页58。 内容简介(中文): 赵伯驹(西元一一二○至一一八二年),宋太祖七世孙,字千里。建炎初官至浙东路钤辖。善青绿山水及木石,兼工花卉翎毛,尤长于人物,是北宋重要的大画家。此帧江楼卧雪图,笔墨工整细致,屋舍以界画出之,而白雪皑皑,枯树雪枝,予人以相当的寒意。以留白表现雪境,颇为成功。画幅右上角有赵伯驹「千里」二字的杯形图章,表现了宋人图章造型的特质。 内容简介(英文): Chao Po-chü(style name Ch'ien-li) was a direct seventh generation descendant of the Sung emperor T'ai-tsu. He served as military administrator of infantry and cavalry in Che-tung, Chekiang. As a painter, he excelled in blue-green landscapes, flower and bird paintings, renditions of figures, and ruled-line architectural subjects. Chao became famed as a leading Northern Sung artist.In this work, brush and ink have been meticulously handled. The dwellings were rendered in the ruled and measured technique used for architectural structures. Through the brilliance of icy whiteness, withered trees and snowy limbs, the artist has conjured up considerable feelings of cold. He chose to leave blank white areas to represent the snow, and this has been quite successfully done. In the upper right corner of the painting is the cup-shaped seal of Chao Po- chü, with the two characters ch'ien li, or “a thousand miles”.