书体:
色彩:
水墨装裱形式:
册(推蓬装‧方幅式)创作时间:
清世祖顺治十五年(1658)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:王时敏;题跋位置:本幅;款识:戊戌(西元一六五八年)秋为百翁老祖台寿。王时敏。;书体:行书;全文: 印记:王时敏印主题:
主要主题:山水 ;次要主题:山水江河、湖海 ;其他主题:山水溪涧、湍泉溪涧;其他主题:树木 ;其他主题:建筑房舍技法:
皴法披麻皴苔点参考资料:
收藏着录: 石渠宝岌三编(延春阁),第六册,页2687 收藏着录: 故宫书画录(卷六),第四册,页285 收藏着录: 故宫书画图录,第三十册,页326-331 内容简介(中文): 王时敏(西元一五九二-一六八0年),江苏太仓人。字逊之,号烟客,自号西庐老人,西田主人,偶谐道人,归村老农。性资颖异,淹雅博物,画为清四大家之一。岗峦起伏,林木森深,水阁幽寂、隐于林间。本幅用淡墨湿笔皴染,复用焦墨干擦点苔,萧间清远之趣,出于笔墨蹊径之外。本幅选自「国朝五家画山水」册。 内容简介(英文): Wang Shih-min was a native of T’ai-ts’ang, Kiangsu province. His style name was Sun-chih, and his sobriquets were Hsi-lu lan-jen, Hsi-tien chu-jen, Ou-hsieh tso-jen and K’uei-ts’un lau-nung. He obtained, the chih-shih degree during the Wan-Li reign (1573-1620) of the Ming dynasty, but terminated his position as a scholar and became a recluse as China entered rule under the Manchus. Wang excelled at poetry, writing, painting and calligraphy, and possessed a particularly keen understanding of landscapes. In his youth, he studied principles of painting with Tung Ch’i-ch’ang and Ch’en Chi-ju, and his family were also collectors. Thus he was exposed to great ancient works. Eventually, he became the first of the six masters of the early Ch’ing dynasty.A water pavilion sits in solitude, hidden among trees in a dense forest, surrounded by undulating mountain peaks. This painting was executed with light ink wash and wet brush shading. Heavy ink and dry brushwork were further employed for greater emphasis. Leisurely, relaxed, clear, and distant, this work achieves an effect beyond mere rules of brush and ink. This painting is from the album, Five Landscape Painters of the Ch’ing Dynasty.