书体:

色彩:

设色

装裱形式:

册(折装‧椭圆幅式)

创作时间:

文字类型:

质地:

本幅绢对幅绢

释文:

印记资料:

鑑藏宝玺：五福五代堂宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：宣统御览之宝
收传印记：黔宁府书画印

题跋资料:

题跋类别：题签；   ；书体：楷书；全文：黄筌苹婆山鸟

题跋类别：题跋；作者：清高宗对幅 ；书体：行书；全文：（乾隆辛亥御题，诗文不录。）印记：八征耄念之宝、自强不息

主题:

主要主题：果蔬苹婆．林檎苹婆。枝。叶。实；次要主题：翎毛粉红鹦嘴粉红鹦嘴一只

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1681 收藏着录： 故宫书画录（卷六），第四册，页203 参考书目： 1.林柏亭，〈黄筌苹婆山鸟〉，收入国立故宫博物院编，《宋代书画册页名品特展》（台北：国立故宫博物院，1995年初版一刷），页294。2.林柏亭，〈「七十件书画册页名品特展」精选(五) — 黄筌苹婆山鸟〉，《故宫文物月刊》，第150期（1995年9月），页103-104。3.邱士华，〈苹婆山鸟〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页369-370。 内容简介（中文）： 粉红鹦嘴飞上枝头，轻盈活泼的神情及红熟的苹果，营造出画面完满丰富的生意。画叶翻转生动自然，画家用赭墨点染黄，圈出果叶上枯蚀小洞。旧传为黄筌（约西元九０三－九六五年）所作，然依画风而论，则较近于南宋院体画。此图与北京故宫所藏宋林椿（活动于西元一一七四－一一八九年）「果熟来禽」构图雷同，反映出宋代册页「一式多本」的现象。 内容简介（中文）： 本图原为团扇，依籤题旧传为五代黄筌（约903-965）所作，但与北京故宫所藏宋林椿（？~1174-1189-?）〈果熟来禽〉十分相近。此作锺情于缓畅优雅的线条，诸如鸟身的轮廓线、枝干与叶片的弧度，彼此相互应和、自成节奏；敷色亦大胆简鍊，用赭墨染黄圈出众多的深色蛀孔，点缀得画面与颜色更丰富热闹；画中的鹦嘴微侧着头，似为可于林间轻盈跳跃的慧黠小鸟。本图应可视为林椿活跃的南宋中期之作。(20101015) 内容简介（英文）： This work was originally a rounded fan and, according to the title slip at the right, done by the Five Dynasties painter Huang Quan. It is, however, very similar instead to a painting by Lin Chun (fl. 1174-1189) entitled “Ripe Fruit Attracting Insects” in the Beijing Palace Museum collection. Particularly appealing about this work are the graceful and flowing lines. The colors are also daring yet succinct, in which ochre and ink along with washes of yellow depict the numerous dark circles of insect holes, embellishing the surface and making the colors even richer and livelier. The parrotbill with its slightly upturned head seems to perfectly convey its nature as a sprightly little bird hopping about the branches. This can be considered a work by Lin Chun while active in the middle Southern Song period.(20101015) 内容简介（英文）： A bird with a pink beak sits on the branch of an apple tree. Its verve and lightness contrast with the ripe and heavy apples, both complementing and heightening the sense of life here. Leaves curl and twist naturally as the artist used ochre and ink dots along with washes of yellow to show where the leaves have been eaten and have aged. This work is traditionally attributed to Huang Ch'üan, but the style appears closer to the Southern Sung court manner. In fact, the composition is very close to that of Lin Ch'un's (fl. 1174-1189) Birds Attracted by Fruit in the Peking Palace Museum. This is an example of the Sung custom of producing more than one version of the same painting. This is the 3rd leaf of the 1st album in " Garden of Treasures".