书体:
色彩:
设色,青绿装裱形式:
册(折装‧方幅式)创作时间:
清圣祖康熙二十七年(1688)文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:王翬;题跋位置:本幅;款识:倣大癡道人富春大岭图意;书体:行书;全文: 印记:石谷子、王翬之印主题:
主要主题:山水 ;其他主题:山水溪涧、湍泉溪涧;其他主题:山水江河、湖海江河;其他主题:树木 ;其他主题:树木寒林.枯树枯树;其他主题:建筑房舍 ;其他主题:建筑桥技法:
写意 皴法披麻皴皴法米点皴苔点参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2175 收藏着录: 故宫书画录(卷六),第四册,页112 收藏着录: 故宫书画图录,第二十三册,页324-327 参考书目: 1.陈昱全,〈清王翬倣黄公望富春大岭图意〉,收入何传馨主编,《山水合璧:黄公望与富春山居图特展》(台北:国立故宫博物院,2011年五月初版一刷),页348。 内容简介(中文): 本开前景画土坡及茂密树丛,中景小桥、溪涧,村屋座落于山间台地,后方主山山形圆浑、矾头堆垒。以汁绿与墨侧笔点苔,罗列整齐、密布在岩缝与坡顶。圆弧状的山形、卵石堆叠成的矾头与山间平台、披麻皴法与横向的苔点等,确实掌握大癡神髓。但山体造型不类现藏南京博物院藏黄公望〈富春大岭图〉中的峭拔山势。题识云:「倣大癡道人富春大岭图意」此「富春大岭图」可能指「富春山居图」,即取其中一段,仿其笔意。(20110609) 内容简介(英文): The foreground scenery of this painting depicts a slope and dense trees. In the middleground is a small bridge over a stream with village houses scattered in the hills, the form of the main mountain rounded with piled alum heads. The vegetable green and ink with slanted-brush moss dots are arranged orderly and densely amongst the crevices and slope tops. The arcing mountain forms, rounded rocks piled to form alum heads, flat outcroppings in the mountains, hemp-fiber texture-stroke method, and horizontal moss dots truly grasp the essence of Huang Gongwang’s manner. The shape of the mountains, however, differ from high and steep peaks in Huang Gongwang’s “Great Summits of Fuchun” in the collection of the Nanjing Museum. The inscription here reads, “Imitating the Manner of Huang Gongwang’s ‘Great Summits of Fuchun.” In fact, however, “Great Summits of Fuchun” in this work might refer instead to “Dwelling in the Fuchun Mountains,” taking one section from it and imitating the brush manner.(20110609)