书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

作者印记：陈字印

题跋资料:

主题:

主要主题：果蔬桔．橙佛手柑主要主题：走兽蛇．蜥蜴蜥蝪；次要主题：草虫蜂 

技法:

工笔 双钩 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2143 收藏着录： 故宫书画录（卷六），第四册，页102-103 收藏着录： 故宫书画图录，第二十四册，页158 内容简介（中文）： 陈字，陈洪绶子。初名儒祯，小名鹿头，号小莲。书画绰有父风，性傲不谐于俗，客游所至辄与人忤，而所得亦随手尽。康熙五十二年（一七一三）前后，以穷困死，年约八十。着有小莲客游诗。 一株佛手，枝上匍伏着一只蜥蜴，正欲捕食小蜜蜂，蜂的头、胸、腹、翅膀，画的极其轻巧，可爱之极，而蜥蜴之相，又极令人厌恶，画家心思，真令人叹服。 本幅为陈字「文房集锦」册第十一开。 内容简介（英文）： Ch’en Tzu was the son of Ch’en Hung-shou. His original first name was Ju-chen, nickname Lu-t’ou (Deer Head) and sobriquet Hsiao-lien. Ch’en Tzu’s calligraphy and painting followed his father’s style. A haughty man, he never got along with others no matter where he went. He always spent all his earnings, thus, he died in poverty at about eighty around 1713. He left behind a volume entitled Hsiao-lien’s Poems of Travels. A lizard crouches down on a branch of a bergamot tree. He is trying to catch a bee. The bee’s head, chest, stomach and wings are drawn delicately. The bee is lovely whereas the lizard is heinous. The contrast of the two creatures makes one marvel at the artist’s wits. The painting is the eleventh leaf from the painter’s album Collection of Masterpieces from the Studio.