书体:

色彩:

设色

装裱形式:

册(推蓬装‧方幅式)

创作时间:

明熹宗天启五年（1625）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：沈士充；题跋位置：本幅；款识：晴绮楼；书体：篆书；全文： 印记：子居

主题:

主要主题：山水夏景 主要主题：建筑台阁晴绮楼主要主题：建筑池水 主要主题：花草莲荷 ；次要主题：建筑回廊 ；次要主题：人物高士（士人、隐士）3人；其他主题：人物侍从（侍女、童仆）1人；其他主题：建筑桥 ；其他主题：建筑栏杆 ；其他主题：树木芭蕉 ；其他主题：树木杨柳 ；其他主题：树木松 ；其他主题：树木  ；其他主题：器用家俱（屏风）桌、凳、椅

技法:

皴法 苔点 人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页2022 收藏着录： 故宫书画录（卷六），第四册，页62 收藏着录： 故宫书画图录，第二十三册，页164-167 参考书目： 1.何传馨，〈明沈士充晴绮楼〉，收入何传馨、许郭璜编，《夏景山水画特展图录》（台北：国立故宫博物院，1991年七月初版），页105。 内容简介（中文）： 沈士充，字子居，华亭人，活动于万历崇祯年间（一五七三－一六四四）。为宋懋晋弟子，并兼师赵左。所作山水，丘壑蒨葱，笔墨厚润，为晚期云间派大将。尝为董其昌代笔，部分赝董画即出于其手。晴绮楼乃沈士充为王烟客作郊园十二景中之一开，园中遍植柳树芭蕉，曲桥回廊，花树掩映。幅中楼作二层，下层平台凉棚下，二人凭栏观荷，荷香阵阵。此幅造景亲切可爱，清新雅致，自成一格，隽永处让人回味无穷。本幅选自郊园十二景一册。 内容简介（英文）： The Ch’ing-ch’i Tower Shen Shih-ch’ung (fl. 1573-1644) Ming Dynasty Shen Shih-ch’ung (style name Tzu-chü) was a native of Hua-t’ing. A disciple of Sung mou-chin, Shen was also a student of the painter Chao Tso (fl. 1603-1629). In Shen’s landscape paintings, the hills and valleys are filled with luxuriant growth and depicted with very dense brushwork. He later became a leading painter of the Yün-chien School. He also was a sometime ghost-painter for Tung Ch’i-ch’ang (1555-1636). This painting of the Ch’ing-ch’i Tower is one work from a twelve-leaf album of suburban gardens done for Wang Yen-K’o. This garden is filled with willow trees with banana plants, a winding bridge and covered corridors, and flowers and trees mingling in the shade. The tower in this painting has two stories, the lower of which includes a covered balcony. In the coolness of the balcony, two people lean and gaze at lotus blossoms, the fragrance of which wafts upward. The scene described in this painting is intimate and close with a fresh and elegant style of its own lingers in the mind of the viewer.