书体:
色彩:
水墨装裱形式:
册(蝴蝶装‧方幅式)创作时间:
明宣宗宣德三年（1428）文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：朱瞻基；题跋位置：本幅；款识：宣德戊申（西元一四二八年）御笔戏写；书体：行书；全文： 印记：广运之宝主题:
主要主题：翎毛白头翁二只；次要主题：树木竹 ；次要主题：树木技法:
写意参考资料:
收藏着录： 石渠宝笈初编（御书房），下册，页866 收藏着录： 故宫书画录（卷六），第四册，页30 收藏着录： 故宫书画图录，第二十二册，页158-161 内容简介（中文）： 宣宗名朱瞻基（西元一三九九至一四三五年），为明仁宗嫡长子。于一四二六年即位，建元宣德，庙号宣宗。万机之暇留神词翰图画，在其倡导下明代宫廷绘画达到前所未有高峰。现流传作品中，多花鸟走兽之属，随意所至，无不臻妙。 此幅右上署『宣德戊申（一四二八年）御笔戏写』，为「书画合璧册」之首幅。画中一双白头翁栖于枝上，前衬以竹叶，简笔绘之，意趣横生。点染写生，颇能与北宋徽宗相媲美。 内容简介（中文）： 宣宗（西元一三九九－一四三五年）姓朱，名瞻基。明成祖长孙，明代第五位皇帝，年号宣德。宣宗雅尚词翰绘事，于书画之作，随意自然，往往与宣和争胜。 首幅水墨画竹树白头，后为行书自制小词，完成于三十岁之时。双禽采没骨兼写意绘法，在重要部位以浓墨钩描。写枯枝、撇竹叶，技巧不似十分精练，但清雅自适，而有几分拙趣。 内容简介（中文）： 宣宗（西元一三九九－一四三五年）姓朱，名瞻基。明成祖长孙，明代第五位皇帝，年号宣德。宣宗雅尚词翰绘事，于书画之作，随意自然，往往与宣和（宋徽宗）争胜。 首幅墨画竹树双鸟，后为行书自制小词，成于宣德三年（一四二八），并钤奖励臣工御用玺印「广运之宝」。双禽采没骨兼写意绘法，仅在重要部份以浓墨钩描，其技巧并不纯熟，但有拙趣在其中。宣宗花鸟多仿边文进（西元十四世纪末－十五世纪初），于令节常以御笔戏写赐予大臣。 内容简介（英文）： Hsüan-tsung (surname Chu, personal name Tan-chi) was the grandson of Emperor Ch'eng-tsu (r. 1403-1424). The fifth emperor of the Ming dynasty, Hsüan-tsung ruled from 1425 to 1435 under the reign name of Hsüan-te. He enjoyed writing poems and painting, and he was able to produced spontaneous and natural works of art. In many ways, he is compared with the greatest of emperor-artists, Hui-tsung (r. 1101-1125) of the Sung dynasty. The first leaf in this album of painting and calligraphy is a depiction of two birds among branches of bamboo. It includes a short poem in running script that Hsüan-tsung composed in 1428. Bearing his seal Kuang-yün chih pao ("Treasure of Kuang-yün"), this was presented to an official. The pair of birds is depicted in the boneless manner of sketching with washes, in which only the most important elements are outlined in ink. Although the painting technique is not very mature, it still retains a charm of its own. Hsüan-tsung's bird-and-flower paintings follow those of Pien Wen-chin (fl. late 14th – early 15th c.), and the emperor often presented such playfully dashed works to his high officals at the New Year. 内容简介（英文）： Emperor Hsüan-tsung, whose personal name was Chu Chan-chi, was the grandson of Emperor Ch'eng-tzu (r.1403-1424). The fifth emperor of the Ming dynasty, he ruled from 1425 to 1435 under the reign name Hsüan-te. He enjoyed writing poems and painting, and he was able to produce free and natural works. He can thus be compared to Emperor Hui-tsung (r.1101-1125), the famous Northern Sung emperor who was a renowned artist and calligrapher. Painted when he was thirty years old, this work is comprised of a painting of bamboo, trees, and grey starlings in monochrome ink followed by poems in running calligraphy. Emperor Hsüan-tsung used the boneless method (mo- ku) to draw the pair of starlings from life and dark ink to outline the important areas. The technique in painting the withered tree branches and the bamboo leaves seems a bit weak, but the brushwork is energetic, and its slight awkwardness is a bit appealing. 内容简介（英文）： The Emperor Hsüan-tsung, whose personal name was Chu Chan-chi, was the eldest son of the Ming Emperor Jen-tsung. In 1426, when the prince succeeded to the throne, he assumed the temple title Hsüan-tsung, proclaiming his reign to be Hsüan-te. In his spare time away from the heavy burden of imperial duties, Hsüan-tsung paid careful attention to the cultivation of literary talents and painting, and under his leadership, imperial painting attained new heights. Among the works by Hsüan-tsung which remain, many are renditions of flowers, birds and animals, and he excelled in whatever genres he set his heart to. In the upper right hand corner of this composition is the Hsüan-te seal and signature dated 1428. Portrayed is a pair of gray starlings perched on a branch, a spray of bamboo leaves beneath them. The abbreviated brushwork is sketchy and simple, but the depiction is brimming with character and animation. The technical skillfulness in this painting drawn from life can vie with that of Emperor Hui-tsung of the Northern Sung Dynasty.
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