书体:
色彩:
浅设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:黄鼎;题跋位置:本幅;款识:秋日山居。倣黄鹤山樵笔。;书体:行楷书;全文: 印记:黄鼎、尊古主题:
主要主题:山水秋景 ;次要主题:山水瀑布 ;次要主题:建筑房舍 ;其他主题:山水山径 ;其他主题:器用家俱(屏风)桌;其他主题:建筑篱笆、围墙 ;其他主题:建筑桥 ;其他主题:建筑亭 ;其他主题:建筑茅草屋 ;其他主题:树木松 ;其他主题:树木 ;其他主题:人物高士(士人、隐士)隐士;其他主题:山水江河、湖海江河技法:
写意 人物衣纹描法(减笔) 苔点 皴法参考资料:
收藏着录: 石渠宝笈续编(宁寿宫),第六册,页2986 收藏着录: 故宫书画录(卷五),第三册,页549 收藏着录: 故宫书画图录,第十一册,页13-14 内容简介(中文): 黄鼎(西元一六六○至一七三○年)常熟人,字尊古,号旷亭,自称独往客,晚号净垢老人。丘园(王原祁)弟子,善山水,师麓台石谷(王翬),海内并称大家。长松红叶,峯壑寒庭。构图用笔,虽仿王蒙,犹自有石谷影响。不若他幅之涵浑自然,或是较早之作,然而亦精致矣。宋以后山水,秋景甚少染天者,此幅天用墨染,甚是创格。 内容简介(英文): Huang Ting (1660-1730), a native of Kiangsu, had the style name Tsun-ku and the sobriquet Kuang-t’ing. He excelled at painting landscapes, an art he learned from two other Great Masters of the Ch’ing Dynasty—Wang Yüan-ch’i and Wang Hui. This painting depicts the first chill of autumn descending upon the valley peaks. A dry brush, Huang Ting’s particular signature, is employed throughout the landscape. Although composition and brush style are modeled after the Yüan master Wang Meng, this painting still reveals the influence of Huang’s teacher Wang Hui, and does not possess the natural moistness of many of his other paintings. The use of a wash in the sky, a feature seldom employed after the Sung dynasty, gives this painting a special quality.