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色彩:
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轴创作时间:
清圣祖康熙四十八年(1709)文字类型:
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本幅纸释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:王原祁;题跋位置:本幅;款识:倪黄两家。用简用繁。虽若异辙。其实皆有天然。不可增损之处。馀写两君合作。每不肯轻率下笔。非欲求工。盖不得古人精意。毫厘千里。恐贻笑不浅耳。此图颇有苦心。因识之。己丑(西元一七0九年)小春写。王原祁。;书体:行书;全文: 印记:扫花菴、王原祁印、麓台、西庐后人主题:
主要主题:山水 ;次要主题:建筑房舍 ;次要主题:建筑水榭 ;次要主题:建筑桥 ;其他主题:树木松 ;其他主题:树木杨柳 ;其他主题:山水江河、湖海江河;其他主题:树木技法:
写意 皴法披麻皴苔点 皴法参考资料:
收藏着录: 石渠宝笈续编(重华宫),第三册,页1737 收藏着录: 故宫书画录(卷五),第三册,页545 收藏着录: 故宫书画图录,第十册,页325-326 内容简介(中文): 王原祁(西元一六四二-一七一五年),江苏太仓人,字茂京,号麓台。王时敏之孙,康熙庚戌(一六七0)进士,历官少司农。故人称王司农,画由家学,远迈时伦,为清四大家之一。此图作为六十八岁,左方峭壁长松耸立,势虽险峻却与右方的大树,形成相互平衡的作用。草木华滋的主山,上方山石堆积错落有致,又不流于细碎。原祁以一排排的石绿、墨色侧点,重复的添加在山石轮廓线上,以代表石面繁密的草木,此手法在其画上常见,已成固定形式。 内容简介(英文): Wang Yűan-ch’i (style-name Mao-ch’ing; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu Province. The grandson of Wang Shih-min, He received his chin-shih civil service degree in 1670. He went on to become Vice-minister of Revenue and was known as Vice-minister Wang. He closely followed the style of his forebears, and his abilities far surpassed those of his contemporaries, ranking him as one of the Four Masters of the Ch’ing.Completed at the age of 67, this painting is composed of precipitous cliffs and tall pines on one side which are compositionally balanced with large trees on the other. The upper portion of the verdant, grassy central peak is composed of numerous piles of rocks, creating an uneven texture and outline. Wang repeatedly applied layers of malachite green and slanted ink dots to the outlines of the mountains to suggest abundant forests and grass. He often used this technique in his paintings and it became a characteristic feature of his style.