书体:
色彩:
水墨装裱形式:
轴创作时间:
明思宗崇祯十二年(1639)文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:王鑑;题跋位置:本幅;款识:秋山图。己卯(西元一六三九年)九月画似季升大词宗政。王鑑。;书体:行书;全文: 印记:弇山堂、王鑑私印、玄照氏主题:
主要主题:山水秋景 ;其他主题:山水江河、湖海江河;其他主题:树木寒林.枯树枯树;其他主题:树木 ;其他主题:船篷舟 ;其他主题:人物渔夫、船夫 ;其他主题:建筑桥 ;其他主题:建筑房舍 ;其他主题:山水瀑布 ;其他主题:建筑寺庙技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2157 收藏着录: 故宫书画录(卷五),第三册,页510 收藏着录: 故宫书画图录,第十册,页73-74 内容简介(中文): 王鑑,江苏太苍人。字圆照,号湘碧,自称染香庵主。生于明万历二十六年(西元一五九八),卒于清康熙十六年(西元一六七七)。画山水,祖法董源、巨然、黄公望。叠嶂疏林,清溪野彴,构景深受黄公望影响,部分山石、画树亦黄家笔意。大部份画山石之法,则透过吴镇而力追巨然,笔笔沉雄练达,真所谓于董巨有深诣者。 内容简介(英文): Wang Chien was a native of T’ai-ts’ang in Kiangsu province. His tzu (style name) was Yüan-chao, and his hao(sobriquets) included Hsiang-pi and Jan-hsiang An-chu. He excelled in landscape painting and often worked in the manners of Tung Yüan, Monk Chü-jan, and Huang Kung-wang.The arrangement of the layers of mountain peaks, scattered trees, and clear streams in this painting reflects the Huang Kung-wang tradition, as do certain details in the handling of the trees and rocks; the general structuring and texturing of the mountains, however, follow the Chü-jan tradition as transmitted by the Yüan dynasty master Wu Chen. The brushwork in this painting is especially strong and virile. Wang Chien can be called a true follower of the Tung-Chü Tradition.