书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：郑石；题跋位置：本幅；款识：锦衣百户郑石写；书体：行书；全文： 印记：清禁侍臣

主题:

主要主题：花草芙蓉 ；次要主题：翎毛鹭鸶３只；次要主题：树木杨柳 ；次要主题：山水江河、湖海 ；其他主题：翎毛  ；其他主题：树木  

技法:

工笔 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2099 收藏着录： 故宫书画录（卷五），第三册，页493 收藏着录： 故宫书画图录，第九册，页251-252 参考书目： 1.谭怡令，〈明郑石芙蓉白鹭〉，收入谭怡令编，《吕纪花鸟画特展》（台北：国立故宫博物院，1995年初版），页110-111。2.〈明郑石芙蓉白鹭〉，收入陈阶晋、赖毓芝主编，《追索浙派》（台北：国立故宫博物院，2008年初版一刷），页178。 内容简介（中文）： 郑石，生卒年不详。系明画院中人，自署锦衣百户。工画花鸟，其画之风格出自宫廷花鸟画家吕纪。 画幅之构图和树、石、花鸟的用笔，比之吕纪「秋鹭芙蓉」、「秋渚水禽」，显见在布局上较吕氏为简化。而用笔则不如其细致，有着较明显之提顿变化，渐趋向于浙派晚期之风味。 内容简介（英文）： There are very few details known about the biography of Cheng Shih. He was a court painter in the Ming dynasty and signed his works as Battalion Commander of the Imperial Bodyguard, a military unit that also provided sinecures for court painters. He was skilled in bird-and-flower painting, and he derived his style from the Ming court artist Lü Chi. In comparison to Egrets and Hibiscus in Autumn and Geese on a Bank in Autumn by Lü Chi, Cheng Shih’s composition is much more simplified. His brushwork in the trees, rocks, and birds is neither detailed nor fine, and the differing pressure on the brush tip in the strokes is overly obvious. This type of abbreviated and coarse brushwork is much more akin to a style belonging to the late Che School.