书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：项圣谟；题跋位置：本幅；款识：不知回雁峰。相去几多远。一行千万行。渐渐来何晚。项圣谟作。；书体：行书；全文： 印记：免乌叟、岳川之灵、伯子孔彰、留真迹与人间垂千古、天籁阁中文孙

主题:

主要主题：花草芦苇 主要主题：翎毛雁 ；次要主题：山水江河、湖海 ；其他主题：山水  

技法:

无皴 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2102 收藏着录： 故宫书画录（卷五），第三册，页466-467 收藏着录： 故宫书画图录，第九册，页61-62 内容简介（中文）： 项圣谟（西元一五九七至一六五八）元汴之孙，嘉兴人。字孔彰，号易庵，又号胥樵。工书画山水，初学文衡山，扩于宋而取韵于元。花竹木石亦精妙。 此幅写丛汀芦苇，群雁就宿，或低翔而下，或结阵远来。于江天空旷之中，写霜秋暮景，使人观之，若有萧瑟凛栗之气，可谓善画者以意胜也。 内容简介（中文）： 项圣谟（西元一五九七至一六五八年）为元汴之孙。字孔彰，号易庵，又号胥樵。工书画山水，初学文衡山，扩于宋而取韵于元，乃项氏家族数代以来画名最高者。此幅写丛汀芦苇，群雁就宿，或低翔而下，或结阵远来。于江天空旷之中，写霜秋暮景，使人观之，若有萧瑟凛冽之气，可谓善画者以意胜也。鑑藏印记中有方「天籁阁中文孙」，足见其景仰祖父元汴之情。 内容简介（英文）： Xiang Shengmo (style name Kongzhang; sobriquets Yian, Xuqiao) was Xiang Yuanbian’s grandson. Gifted at calligraphy and painting landscapes, he first studied the style of Wen Zhengming and later included those of the Song and Yuan masters, making him the most gifted painter in the Xiang clan. This work depicts shoals and reeds along with flocks of wild geese resting and flying (some in formation). The sky above the expansive river has a tinge of cool autumn at dusk, imparting a feeling of cold desolation to the viewer while demonstrating the artist’s success in conveying poetic sentiment. A Xiang Shengmo seal here reads, “Literary Grandson from the Hall of Heavenly Sounds,” revealing Xiang’s artistic reliance on his grandfather. 内容简介（英文）： Hsiang Sheng-mo, a native of Chia-hsing, Kiangsu province, was the grandson of the famed collector Hsiang Yüan-pien. His style name was K’ung-chang, his sobriquets I-an and Hsü-ch’iao. He excelled at calligraphy and painting landscapes. Beginning his painting with Wen Cheng-ming, he expanded his repertory with the study of Sung dynasty works and perfected them with the study of the Yüan. Flowers, bamboo and rocks were also excellent. The work depicts a flock of geese alighting on a stretch of level beach – some have already settled among the water reads and folded their wings, others still hover far in the distance. A scene of dusky autumn with settling frost, it possesses a tone of skin-chilling melancholy. In this respect can one say that the content reigns supreme in this painting.