书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：作者款识；作者：文征明；题跋位置：本幅；款识：青山稠叠水涟漪。暎树兰舟晚更移。一缕茶烟冲宿鹭。无人知是陆天随。征明。；书体：草书；全文： 印记：文征明印

主题:

主要主题：山水  ；次要主题：树木柏 ；次要主题：树木  ；其他主题：建筑篱笆、围墙 ；其他主题：建筑桥 ；其他主题：建筑寺庙 ；其他主题：建筑茅草屋 ；其他主题：建筑房舍 ；其他主题：山水山径 ；其他主题：船  ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）高士

技法:

皴法披麻皴

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页387 收藏着录： 故宫书画图录，第七册，页149-150 参考书目： 1.王耀庭，〈明文征明倣古山水〉，收入王耀庭编，《青绿山水画特展图录》（台北：国立故宫博物院，1995年七月初版一刷），页90。2.江兆申，〈文征明仿古山水　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页315。 内容简介（中文）： 文征明（西元一四七○－一五五九年），江苏长洲人。初名壁，字征明，后以字行，亦字征仲，号停云生、衡山居士。诗文书画并佳，画师沈周，为明四大家之一。本幅两岸长林，溪水从樾荫下流出，一人棹舟徜徉其间，背山高耸，积石瘦峭，构景用笔，皆精到老练，依文氏风格发展，应作于一五四九年。青绿设色，置重彩于山峦顶端突出处，而皴法可见，这是典形的皴上敷彩，显示文人画兴起以后，重视笔墨，色彩之表现，仅提示青山稠叠。这种青绿设色法，为数颇多的画家均采用。 内容简介（英文）： Landscape in the Style of an Ancient Master Wen Cheng-ming (1470-1559) Ming Dynasty Wen Cheng-ming (style name Cheng-chung, sobriquet Heng-shan chü-shih) was a native of Ch’ang-chou, Kiangsu. When he was fifty-three, he went to Peking to serve as an academician in the Hanlin Academy. He eventually grew disillusioned with the life of an official in Peking, returned to his hometown, and took up the life of a literatus. He excelled as a poet, essayist, calligrapher, and artist, and became a leader in the artistic community of Suchou. Trees cover the banks of a stream while a scholar enjoys a leisurely moment in a boat. Mountains rise up with precipitous rocks in the background. The composition and the brushwork reveal a maturity in handling which suggests that Wen Cheng-ming painted this around 1549. Wen Cheng-ming has added heavier colors to the rocks and peaks which jut out, but he has also built up his forms with texture strokes. This is an example of the blue-and-green landscape style in which texture strokes are combined with colors. This type reveals the literati preference for ink and brushwork, where the blue and green colors were used mainly to accentuate the overlapping peaks. Many artists adopted Wen Cheng-ming’s method of painting such blue-and-green landscapes. 内容简介（英文）： This archaic landscape work blends the techniques of heavy blue-and-green colors with monochrome ink. Only the mountaintops and details of the rocky faces are covered with light washes of mineral blue and green. Since the heavy colors have been much reduced, this is known as a “minor blue-and-green” landscape. Wen Cheng-ming was a native of Soochow, Kiangsu. Early on, he aspired to be an official but later gave up his career to return home, where he focused on poetry, prose, painting, and calligraphy, becoming a leading figure in middle Ming Soochow art circles. Wen's path in painting was varied as he transformed Sung and Yüan dynasty (10th-14th c.) traditions to create his own style, thus inspiring many later generations.