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本幅纸诗塘纸释文:
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作者印记:赵氏子昂题跋资料:
题跋类别:题跋;作者:清高宗;题跋位置:本幅;款识:乙酉秋御题;书体:行书;全文:满天秋意老莲塘。枯叶低垂独鸟翔。法眼设非题自董。绘神谁识本从黄。心疑野侣云犹外。兴寓风人水一方。盈尺帧间淡且远。无边轩际飒生凉。乙酉秋御题。印记:几暇怡情主题:
主要主题:花草莲荷枯荷主要主题:翎毛鹡鸰 ;次要主题:水中动植物荇藻技法:
双钩参考资料:
收藏着录: 石渠宝笈续编(宁寿宫),第五册,页2751 收藏着录: 故宫书画录(卷五),第三册,页162 收藏着录: 故宫书画图录,第四册,页59-60 内容简介(中文): 赵孟頫(西元一二五四至一三二二年),宋宗室,居吴兴,字子昂,号松雪道人。仕元,至翰林学士承旨,封魏国公,諡文敏。诗文清远,书画为后世所宗。残荷之笔,老辣潇脱。鹡鸰小巧有生趣,用笔细腻。点出秋塘萧瑟之景。 内容简介(英文): Chao Meng-fu lived in Wu-hsing in Chekiang province. His style name was Tzu-an and his sobriquet was Sung-hsüeh tao-jen. Although a scion of the Sung imperial family, he nevertheless served the Sung's conquerors in the succeeding Yüan dynasty. He attained the rank of Hanlin Academician and was later enfeoffed as the Duke of Wei. Chao was known also for his pellucid, penetrating poetry and prose, and his painting and calligraphy became models for later generations of painters.In this painting a bird perches on a dried lotus leaf. The painting has a carefree ambience, yet it is painted with great vigor. The bird is cleverly painted and has a life-like quality. The style of brushwork is fine and smooth. The style use by Chao Meng-fu in this painting heightens and lonely feeling of the solitary lotus pool.