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鑑藏宝玺:乾隆御览之宝题跋资料:
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主要主题:山水 ;其他主题:建筑茅草屋 ;其他主题:花草芦苇 ;其他主题:器用耕织渔猎渔;其他主题:器用服饰(对人)蓑衣;其他主题:器用饮食器 ;其他主题:器用家俱(屏风)桌;其他主题:船篷舟 ;其他主题:人物农夫 ;其他主题:人物渔夫、船夫 ;其他主题:树木 ;其他主题:树木枫树.槭树 ;其他主题:花草桃花 ;其他主题:山水江河、湖海技法:
写意 工笔 人物衣纹描法(粗细线条) 苔点参考资料:
收藏着录: 石渠宝笈续编(重华宫),第三册,页1549 收藏着录: 故宫书画录(卷五),第三册,页144-145 收藏着录: 故宫书画图录,第三册,页97-98 参考书目: 1.〈传宋人渔乐图(明丁玉川)〉,收入陈阶晋、赖毓芝主编,《追索浙派》(台北:国立故宫博物院,2008年初版一刷),页183-184。 内容简介(中文): 一河两岸式构图的浅设色画。画岸侧渔舟方舣楫,对浦渔船三两,而红叶风芦正展现一片盎然秋意。 清宫〔石渠宝笈〕将本幅着录为宋人之作,然学者却从画幅的右上角发现属于明代江右(今江西)画家丁玉川的钤印一方,印文为「玉川」二字。丁氏的生卒年不详,约活动于十五世纪,其山水画宗法宋代马远、夏珪,正与本幅画风相符,因推断丁玉川可能为原作者。 内容简介(英文): The composition of this painting in light colors involves two shores with a river in the middle. By the shore in the foreground is a fishing skiff and at the other side are two or three others. The reddish leaves indicate that the season is autumn. The Ch'ing imperial catalogue records this work as a painting by an anonymous Sung dynasty painter. Modern scholars, however, have discovered that the seal in the upper left corner is that of the Kiangsi painter Ting Yü-ch'uan. Though his exact dates are unknown, he was active around the 15th century. His landscape style followed that of the Sung artists Ma Yüan and Hsia Kuei, which this painting matches quite well. This evidence suggests that Ting Yü-ch'uan was most likely the painter of this work.